In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.

Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

Gertrude Lawrence rises to stage stardom at the cost of happiness.

In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo (Oedipus), and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road…

ブラジル人ダンサーのデジャニラは、パリ発の特別列車「メーヌ・オセアン号」に飛び乗るが、検札係に罰金を命じられてしまう。フランス語が分からない彼女だが、たまたま通りがかった弁護士の女性に助けられる。翌日、弁護士に誘われ漁師の裁判に立ち会ったデジャニラは、その漁師が住む大西洋の島で週末を過ごすことにするが、そこに検札係もやって来て……。

In an effort to discover the depth of the country's polarization, four recent college graduates decide to travel across the United States gathering stories encompassing the spectrum of life in America. Their goal is to find the human stories behind the nation's social and political schism, proving that Americans are not tied together by political identity, geographical location or belief systems, but primarily by love, hope and dreams - universal truths.

The Yakimanka Center for Contemporary Art is one of the most important institutions of contemporary art in the 90s in Moscow. It was here that the first open platform for all forms of self-expression was created. New artists, gallery owners and curators appeared here, the main events of the artistic life of the last decade of the twentieth century took place.

Ana and Helen, two divorced women, were close friends as teenagers. Today, amidst the corona virus pandemic and in quarantine, they get in touch after 20 years via internet. Through video conference calls, memories, sensations and emotions reflourishes.

Men will be men.

A thief named Egor, having served a term in prison, goes to the country to meet his pen-friend Lyuba, a kind genial village woman. Egor comes to love Lyuba sincerely. Now he has friends, work and a beloved woman, he decides to break with his criminal past and start a new life. However, his former criminal associates interfere brutally.

支笏湖近辺に巨大な隕石が落下した直後、札幌の地下鉄で昆虫のような生物の群れが発見され、さらにビル街に異様な巨大植物が出現。調査の結果、これらは合わせて1つというべき地球外生命体だと判明する。しかも植物は種子を宇宙へ飛ばすためにエネルギーを蓄えており、爆発の恐れがあるため自衛隊も手が出せない。そんなとき、札幌に正義の怪獣ガメラが飛来し、植物体を破壊する。だがその後も、誰も予測できない事態が続く。

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

Realizing that she cannot take down Fisk alone, Sayen teams up with an underground resistance group with a plan to expose and end Fisk's unchecked plundering once and for all.