By showing a series of different-coloured objects, the film aims to familiarize very young children with the various colours, and ends with a shot of a blackboard, a symbol of learning.

This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger, and the wedding guests and family indulge in cannibalism, among other perversions.

A scientist develops a powder that he believes will have the effect of distorting reality for those who take it. To test its effect tries it out on his assistant, a dog, himself and two young couples.

Debord directed his first film, "Hurlements en faveur de Sade" in 1952 with the voices of Michele Bernstein and Gil Holman. The film has no actual images; instead, it shows bright white when there is speaking and black when there is not. Long silences separate speaking parts. The film ends with 24 minutes of black silence.

Two lone female fighters who have learned to rely on no one but themselves venture into Seoul's underworld. In search of the big hit that could mean liberation from their useless husbands, these disparate women grow closer.

A tough police detective escapes from custody after being framed and arrested for the murder of his ex-wife, and must now find the real killer and prove his innocence.

After being thrown away from home, pregnant high school dropout Maria meets Matthew, a highly educated and extremely moody electronics repairman. The two begin an unusual romance built on their sense of mutual admiration and trust.

An autobiographical film based on Taiwanese director Hou Hsiao-hsien's memories of his youth growing up in Taiwan after emigrating from mainland China.

「リング」の貞子と「呪怨」の伽椰子というJホラーを代表する恐怖の2大キャラクターの共演が実現した作品。「戦慄怪奇ファイル　コワすぎ！」シリーズや「ノロイ」「オカルト」などホラー作品を多数手がける白石晃士監督がメガホンをとり、山本美月が主演、玉城ティナ、安藤政信らが共演する。その映像を見ると貞子から電話がかかってきて2日後に必ず死んでしまうという「呪いの動画」を見てしまった女子大生の有里。そして、入ったら行方不明になるという「呪いの家」に足を踏み入れてしまった女子高生の鈴香。共に呪いをかけられた2人を救うために立ち上がった霊媒師の経蔵は、貞子と伽椰子を戦わせるという秘策に打って出る。

A-yuan and A-yun are both from the small mining town of Jio-fen. They move to Taipei, where A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone thinks they are meant for each other, and so do they. They fail to see time and fate are beyond their control.

A parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. Odd couple Ivo Salvini, recently released from a mental asylum, and former prefect Gonnella wander through the countryside and discover a dystopia made of television commercials, beauty pageants, rock music, Catholicism, and pagan rituals.

台北を舞台に、カメラマンとその恋人、小説家の妻と医師の夫、その元恋人、不良少女、刑事…様々な人物が幾重にも錯綜し現代の台湾が抱える問題を浮き彫りにしていく。

14歳のムシェット。家庭の貧困と父の暴力と、同級生の豊かさと美しさ、そして土曜の午後のカンタータの練習に痛めつけられる少女。森番の洩らす秘密を知って、約束を守ると誓ったのに犯されてしまう無垢な肉体。しかし、その秘密すらただの幻影に過ぎなかったと分かって、少女は完全な孤立を味わう。そんな彼女に残された選択は……。ブレッソンが、「田舎司祭の日記」の原作者G・ベルナノスの小説を、自ら脚色して映画化。

A story about three friends who just turned twenty; an age where you can do whatever you want, love whoever you want with opportunities abroad.

陥落間近のサイゴン。従兄弟を政府軍から救出したマークだったが、二人は暗黒街との取引で危機にみまわれる。危ういところをキティに救われ、マークとキティは恋に落ちるのだが、そんなとき、行方知れずになっていたシンジケートのボスでキティの情夫、ホーが現れる。

散らかった部屋の中で、あまりの退屈さにうんざりしたアリス（クリスティーナ・コホトヴァー）は、人形で「アリス」ごっこを始める。とその時、ガラスケースの中の白ウサギが突然動きだし、懐中時計を手に慌てて駆け出す姿に驚きながらもアリスは後を追うことにし、いつしか不思議の国にたどり着く。面白半分にインクを飲み、あっという間に小さくなったアリスが、タルトを食べると今度は大きくなってしまう。

A mysterious circus excites a small Hungarian town into a rebellion when a promised act doesn't perform.

The story begins on a fine summers morning, when San-woo and his mother board a bus to the country. It is soon clear that the unsophisticated rural passengers annoy the seven-year-old urban boy. His mother is taking him to live with his 78-year-old mute, but not deaf, grandmother while she looks for a new job after a business venture failed in Seoul.

Michele is a Communist MP who loses his memory in a car crash—although nobody seems to notice. Over the course of a water polo match ahead of election day, he begins to remember his past life, revealing the picture of a man whose personal and political identity crisis mirrors the one of Italian communism.

Karin hopes to recover from her recent stay at a mental hospital by spending the summer at her family's cottage on a tiny island. Her husband, Martin, cares for her but is frustrated by her physical withdrawal. Her younger brother, Minus, is confused by Karin's vulnerability and his own budding sexuality. Their father, David, cannot overcome his haughty remoteness. Beset by visions, Karin descends further into madness.