City boy Bakhtu, (Moammar Rana) goes to live with uncle back in the village. Here he sees Billo (Saima), his uncle's older daughter and falls in love. Terrorised by her stepmother (Bahar) and stepsisters, Billo is forced to serve as a servant in her own home. Bakhtu declares his love for her, which is not going down well with Bahar, who having seen Bakhtu, wants her own daughter Nargis married to him. On the other hand Nargis is not going to wait for dear mummy, and attempts to win him over with a sizzling dance number in the rain, but fails miserably. Things come to a boiling point when the couple are confronted by Bahar, the situation is ill-handled by Bakhtu who insults his aunt, calling her a churail (a witch) and is thrown out of the house. Bahar who want be insulted in her own home quickly makes arrangements for Billo to marry a local Chaudry.

The year is 1764. For over a year, Josef has been leading a precarious life in Venice. He hopes to become an opera composer. The city, full of talented and already-established composers, seems closed to him. Looking for work as a violinist, he comes into the orbit of a rich young woman. Thanks to her, he gets the opportunity to play at salons. But his real opportunity arises when he becomes the lover of a libertine marquise. She teaches him worldly manners, rids him of signs of a provincial upbringing and introduces him to a hedonistic existence free from religious intolerance. Thus transformed, Josef gets an incan incredible commission: to write an opera for the San Carlo, Europe's largest theatre.

An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.

In the midst of a civil war, former violinists Jan and Eva Rosenberg, who have a tempestuous marriage, run a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.

蒲田に妻と住む杉山正二は、丸ノ内への通勤途中で知り合ったサラリーマンたちと仲良くなり、退社後に遊びに行くのが日課となっていた。妻は退屈な毎日から逃れるように、おでん屋を営む母の実家へ帰ったりしている。通勤仲間と出かけた江ノ島で、杉山は金子千代と接近。千代の誘惑に耐えきれず、関係を持ってしまう。二人の関係に気づいた杉山の妻は家出して、旧友のアパートに転がり込んだ。同僚の死をきっかけに、杉山は自分の生き方を振り返り、千代と別れようと考え始める。ちょうどその頃、会社で地方工場への転勤話が持ち上がった。小津安二郎が野田高梧とともに書いたシナリオを監督し映画化。不倫に揺れる昭和30年代のサラリーマン夫婦を描く。

At the royal court, a prince is presenting the princess whom he is pledged to marry when a witch suddenly appears. Though driven off, the witch soon returns, summons some of her servants, and carries off the princess. A rescue party is quickly organized, but the unfortunate captive has been taken to a strange, forbidding realm, from where it will be impossible to rescue her without some special help.

恋人も友人もいない夜警員コイスティネンは、カフェで声を掛けてきた美しい女ミルヤに恋をする。しかし彼女はマフィアが送り込んだ情婦だった。強盗の罪を擦りつけられたコイスティネンは逮捕され、1年間の服役を言い渡されてしまう。

An unemployed construction worker heading out west stops at a remote farm in the desert to get water when his car overheats. The farm is being worked by a group of East European Catholic nuns, headed by the strict mother superior, who believes the man has been sent by God to build a much needed church in the desert.

軟弱青年のゴンは、雑用の職に就いた屋敷が強盗団“五毒門”のアジトであるという秘密を知ってしまい、あわてて逃げ出す。道中、謎の老人に救われ、ゴンは即座に弟子入りを志願。老人は弟子入りの条件として、万能の秘薬を運ぶ任務についている弟子を訪ねるよう言いつけるが、五毒門がその秘薬を狙っていた……。

In the depths of an ancient forest, something has been growing. Something older than humanity itself, and perhaps greater too. When a park ranger discovers a man and his son living wild, she stumbles onto a secret that is about to change the world.

Leila and Damien struggle with his bipolar disorder.

1930年代半ば、右派と左派の対立が激化するフランス。モンテイユ家の田舎屋敷に、パリからやって来た魅力的な女性セレスティーヌが小間使いとして雇われる。そこには、家の実権を握る妻と性的欲求不満を狩猟で紛らわす夫、妻の父で婦人靴を異常なほどに愛する老人、粗野な下男らが暮らしていた。ある日、近所で恐ろしい殺人事件が起こり……。モンテイユ家をフランス社会の縮図に見立てながら、ブルジョワ風刺と社会批評を込めて描く。

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

The master of Italian horror, Lucio Fulci, stars as... Lucio Fulci, a filmmaker with a reputation for gruesome horror films. His body of work has started to plague his mental state, and he is haunted by the grotesque set-pieces his mind has conjured up during his career. His psychiatrist, Egon Schwarz, uses a hypnotised Fulci as an avatar to carry out his own disturbed fantasies, in hopes of ruining the master’s reputation once and for all.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

The heir to a noble and influential family finds the love of his life, but she will only accept him if he becomes a kung-fu master. He becomes a legendary folk hero who tries to save the emperor.

南北戦争末期、無法の街リオ・ロボ。金塊輸送列車を護衛していた北軍のマクナリー大佐は、南軍のコルドナ大尉率いるゲリラに襲われて……。『リオ・ブラボー』『エル・ドラド』と合わせて、テキサス3部作と呼ばれる傑作のひとつ。

Dull and plain Catherine lives with her emotionally distant father, Dr. Sloper, in 1840s New York. Her days are empty — filled with little more than needlepoint. Enter handsome Morris Townsend, a dashing social climber with his eye on the spinster's heart and substantial inheritance.

Lola Montes, previously a great adventuress, is reduced to being the attraction of a circus after having been the lover of various important men.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.