A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.

内気な緑化委員の高校生・山田結衣は、学校の花壇に植えた朝顔をきっかけに、それまで話したこともなかった陸上部のエース・加瀬友香と親しくなった。互いに特別な感情を抱いた2人は恋人同士となるが、学校一の人気者でいつも取り巻きに囲まれている友香と、目立たない結衣は擦れ違ってばかり。同性同士という以前に、誰かと付き合うということ自体が初めての2人は、戸惑いながらも、手探りで恋する気持ちを育んでいく。

アメリカ上院議員選挙に立候補した人気歌手“ボブ・ロバーツ”の姿を、ドキュメンタリーの形式を借りて描いたユニークな作品。アメリカ上院議員選挙に立候補したボブは、その人気と豊富な資金力をバックに選挙戦の台風の眼となる。表のクリーンなイメージの一方で、当選するためには手段を選ばない側面も。その結果、ボブは選挙戦を有利に進めるが……。

Louise meets Nathan, her dreams resurface. It's also the story of her ailing brother, their mother, and the destiny of a leading family of wealthy Italian industrialists. The story of a family falling apart, a world coming to an end and love beginning.

The year is 2050, in this future giving birth is nothing more than a simple formality. But the birth of Désiré will be much more painful...

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

In 1985, Chris Marker traveled to Japan to attend the filming of Ran, directed by Akira Kurosawa. Marker analyzes the progress of filming; the infinite patience of a team under the orders of a meticulous director down to the smallest detail; the antithetical mixture of the modern with the traditional; of the real with the fictitious; of life with cinema… and literature.

寝たきりの父親の介護のため、通院をするつらい日々が続き、彼女自身、他人に触れられることに拒否反応を示すようになった中年女性のローラ。そんなある日、彼女は、病気で全身が無毛となったトーマスや、四肢が不自由で普段は車椅子生活を送るクリスチャンら、体にさまざまな障害がある患者同士が、お互いの体に触れ合い、自らの気持ちを率直に語り合いながらカウンセリングをする様子を目にして、大きな刺激と啓示を受ける。

Two ballet dancers perform a dance enhanced with surreal after-image visuals.

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

The year is 2163. Starship Ikaria XB 1 embarks on a mission deep into space in search of alien life. During their perilous journey the crew confront the effects of a malignant dark star, the destructive legacy of the 20th century and, ultimately, the limits of their own sanity.

A social event choreographed in the manner of a dance, illuminated by concepts drawn from Greek legend; one of filmmaker Maya Deren’s most intriguing works.

Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.

A psychotic killer is on the prowl, who continues to slaughter young women while an innocent man is wrongly accused and sentenced for crimes he could never have committed. A determined detective arrives on the scene and soon becomes obsessed with the case while under pressure from the prosecutor to see a man hang.

Nine-year old Eunhee anxiously prepares for her recorder exam as she struggles to find a place within her own family.

The 42 year long relationship between legendary actress Liv Ullmann and master filmmaker Ingmar Bergman.

Lies are just another way of telling the truth. The desire to believe is the hand of the man hanging from a cliff and clinging to the only stone that would seem to save him. But he always ends up falling because the stone is a mirage, just as the cliff is. Death is awakening from this dream in which the essential can be said and in which the continuous and infinite has a beginning, an end and a meaning.

On the eve of his fortieth anniversary Sergei Makarov looks back at his life and learns that he has achieved nothing. He was not able to be happy and to bring happiness to the closest people in his life, neither to his long-suffering wife nor young mistress nor friends nor work... It is about the men who never grew up and could not find themselves in the time of stagnation – gifted, charming, but infantile and lost, they never were able to realize themselves...