Six friends meet every evening in a basement to make music. During the daytime, however, there are no rehearsals for what life brings us. Each endeavour leaves its mark. Rita left Ricardo, Rafael found her, but she still feels lost. Eduardo thought he no longer liked Maria, but after what he has done he cannot turn the clock back. João lacks the courage to breakup with his girlfriend and takes refuge in the song he is writing for Inês. Marco struggles to get another young man’s love, but he is under no illusions. Samuel believes in everlasting love but something is wrong because his friends haven’t heard from him for sometime. Inês, attempting to feel safe, likes to experiment and she's waiting to see how things go with João. With all this going on, how could the band not be falling apart...?

Summertime at the beach. Swimming, yelling, playing, tanning. 25-year-old Marie who came alone to lie in the sun and swim in the sea, loses the bottom half of her bathing suit.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."

Sixteen-year-old Lucia wants to get rid of two things more than anything: her lice & her virginity.

A feature-length documentary to show why Britain should vote to LEAVE the EU - and would thrive outside of it. Brexit: The Movie spells out the danger of staying part of the EU. Is it safe to give a remote government beyond our control the power to make laws? Is it safe to tie ourselves to countries which are close to financial ruin, drifting towards scary political extremism, and suffering long-term, self-inflicted economic decline?

Akin to Private Benjamin, this comedy deals with the tough life of female army recruits going through basic training. Through their training they come to realize that there is more to being tough than having muscles.

To conquer his beautiful mother without insospettirne, Polidor dresses for women and can thus safely visit the house, but was immediately made ​​the subject of attention of the father of the girl, unrepentant libertine. And when you discover the trick, barrel on Polidor, but also on the elderly Don Giovanni, by the jealous wife.

This release features the World Freestyle Watercraft Alliance (WFWA) 15 foot ramp jump, Chris Macclugage, Mike Jones, Rick Roy, and many more.

See how Pirk got stranded in the past! Star Wreck V: Lost Contact was the first film to use live actors instead of cartoons. Real sets would have cost too much, so we decided to try bluescreen, just for fun. Our expectations weren't high, but it worked. So the movie was shot against a cheap blue bed-sheet and the blue background was replaced with spaceship bridges. The story was a parody of Star Trek: First Contact. The Korg send a ship back in time to 20th century Earth. The Kickstart, being the only functioning P-fleet ship around, has to follow. The Korg plan to assassinate rockstar Jeffrey Cochbrane (Played by Rudi Airisto and a pair of sunglasses) and his band Dethdestro before their concert attracts the attention of Vulgars. This would stop humanity's first contact aliens and change the future. If that wasn't bad enough, all Jeff wants to do is play loud and drink too much, but now Pirk and his crew must force him to save the world...

At the border between Navarre and Aragon we find the moors known as the Bardenas Reales, characterized by the dust and the omnipresence of the northern wind. This is a portrait of a land, but also a journey through Pilar’s memories. It is a glance at the past but also the present, and about how everything has changed, for better or worse.

Pride Critical Countdown 2005 was a mixed martial arts event held by the Pride Fighting Championships. This event held the second round of the Pride Middleweight tournament. It took place at the Saitama Super Arena in Saitama, Japan, on June 26th, 2005.

Guy from Chihuahua is hugely prejudiced against people from the state of Jalisco... until he finds out he has a son there. After that he figures out that he's only angry at one Jalisco family that did his grandpappy dirt, back in the day.

The somewhat indolent father Traugott Wurster looks after his six sons while his wife works in a butcher's shop. One day, when Traugott falls into a mysterious prolonged sleep, mother Wurster is forced to give the children to relatives. Markus is sent to the stuffy Uncle Theodor, who turns into a childhood friend under his influence. Mother Wurster also "rents" the sleeping Traugott to a furniture store, which uses him to advertise mattresses in the shop window.

An evil gang is involved in both cattle rustling and the robbing of stagecoaches. Hoppy must stop them without help from the sheriff who turns out be a major outlaw himself.

Pointing to the proverb "One man pretends to be rich, yet has nothing," this Bollywood romantic drama criticizes the priorities of a rich man when he marries his sweetheart and neglects her for his lucrative business affairs. When she runs home to her family, the rich man's father berates him for being too much like his old man. Will he learn his lesson and win her back? A repenting ballad or two may help.

This elaborate and well-staged silent version of Hertz' play is exceedingly well produced for 1913: it starts off by introducing the actors by name and role, then showing them in double exposure in street clothes and in costumes. The production values are also elaborate and the look of the set designs reminds one of the elaborate backdrops that Melies used in his shots.