A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

The film is an adaptation of the play of the same name staged by the theater group Os Satyros. More than 200 characters from the central region of São Paulo, including residents, prostitutes, drug dealers, businessmen, transsexuals, prostitutes, actors and musicians were interviewed. These testimonials were the starting point to build the trajectory of eleven characters that intersect during a night on the town.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

A forty-five-year-old history teacher, Jin-tae, has hallucinations about one of his students.

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

Backstreet Boys Live in Barcelona - Millennium Tour 1999 HBO Broadcast

A generative audiovisual composition for radar display tube and analog chaotic circuit inspired by the history of electron optics More info: http://www.joostrekveld.net/?p=2179

This film consists of 75 minutes and 6 seconds of blue screen.

Charlie and his little brother Simon live a secluded life, feeding off of the land and surviving on their own. The monotony of their lives remains unchanged: day after day, month after month, yet, something keeps them from growing comfortable, from feeling safe. And all too soon, the nightmare brewing beneath the surface of their quiet farm life will erupt. For how can one survive the end of the world and expect their future to be bright? How can one expect there to be a future at all?

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.

Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.

Dinner Time is noted as the first sound cartoon short made after Warner Bros.' success with The Jazz Singer and produced even before Walt Disney's first sound cartoon, Steamboat Willie (though released after).

Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.

Robertito falls in love with Helen. Gabriel is jealous of his brother being the favorite son of their mother so he makes Helen fall in love to him. Robertito is heartbroken. Aurora asks Julie, who is in love with Robertito, to bring comfort and love to Robertito. When Robertito learns about the arrangement, he speed off, meet an accident and dies. Aurora refuses to accept that his favorite son has died so she made a great pact with Lucio to bring Robertito back to life.

The Mediterranean is a cemetery. More and more men, women and children are trying to reach Europe by crossing the Mediterranean. Many perish in the waters. Some 40 000 in fifteen years. "If Europe does nothing, we must act", says Klaus Vogel, German co-founder of "SOS Méditerranée" and captain of the Aquarius, a vessel for 300 passengers. What started out as a Franco-German and then Italian humanitarian initiative, has become a civic European organisation for the rescue of people in distress in the Mediterranean. Two reporters have embarked for three weeks to take part in the rescue operations and to witness the daily commitment of a group of people when faced with the desperate plight of others.