An adaptation of Kafka's "A Country Doctor".

A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.

パフォーマンス・キャプチャーを用いた、ジェームズ・キャメロン独自の映画制作への取り組みを紹介する。

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

Wolfgang (13) lives on the street. One night, by chance, he finds the head of a statue for which a large reward is being offered. To collect the reward, he goes to the specified address - a beautiful, old house on the outskirts of the city - and meets with an elderly woman. Because of the unexpected beauty and tranquillity of his surroundings, Wolfgang keeps quiet about the statue head, and stays. But things soon start to change, because the old woman, although mute and tied to a wheelchair as a result of a stroke, suddenly begins to behave strangely, she wants something from him ...

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

A week in the life of Claudia e Francesca and all their friends.

A documentary telling the story of the newly reformed Take That. Global mega star 'Robbie Williams' rejoins his former band mates for the first time in over 15 years to record Take That's sixth studio album 'Progress'. 'Look Back, Don't Stare' gives a brutally honest account of how Williams return to the group has affected the other four members and shows how the pressures of fame and the relentless power struggle for artistic leadership between Williams and Barlow contributed to the break up of one of the best selling bands of the 90's.

The Option centers on a group of rural women who cut sugar cane and live in ramshackle highway neighborhoods. For many, their only escape to a potentially better life is through prostitution, often with truck drivers.

This two-hour special looks back at Dec. 7, 1941 - the date that has indeed lived in infamy, as President Franklin Roosevelt promised - when imperial Japan attacked the U.S. naval forces in Hawaii, ushering America into World War II. The attack killed more than 2,400 people, wounded 1,000 and damaged or destroyed nearly 20 American ships and over 300 airplanes.

A grieving mother tries to contact her recently deceased daughter. The result proves scarier than the grief.

Sardar Joginder Singh alias Sardar Saab (Jackie Shroff) and his younger brother (Guggu Gill) act as messiahs for the people suppressed by the rich, wealthy and powerful. They do not shy away from taking law and order in their own hands. Due to the nature of their work, Sardar Saab sends his son (Daljeet Kalsi) to New Zealand, who meets Mehak Arora (Neetu Singh) and falls in love with her. Daljeet and Mehak want to get married to each other and their parents before the rituals take place. Once Daljeet reaches Delhi, Sardar Saab is arrested by the police and he gets killed in a bomb blast. How Daljeet avenges his killing forms the rest of the story.

A married man and his young mistress suffer sadistic torture when Tom, Dick and Harry invade their penthouse.

After 20 years of intergalactic war, humanity must make a final stand against the Ma'har invaders. Dispatched to the treacherous deserts of Gauda Prime, Lieutenant Sharp and his unit must find and destroy the enemy's central weapon, the dreaded Ma'har dream machine. The obstacles are daunting- giant mutated creatures and an army of zombified sand troopers stand between the unit and their objective. They must thwart a devious politician and her hideously disfigured mercenary, The Face. Political intrigue will prove as challenging as the monstrous faun of Gauda Prime but Sharp's team are humanity's only fighting chance against the deadly Ma'har armada.

Vivienne Dick - 1983 Like Dawn to Dust takes up the exploration of the rural landscape initiated in Visibility Moderate but it is characterized by a very different mode of address. Instead of appropriating from radio, television or film, Dick develops a more overtly 'poetic' aesthetic, through performance, cinematography and sound. The opening shots of a decaying 'Big House' bearing the scorch marks of a fire, are accompanied by an off-key piano, recalling stage melodrama or early cinema. The house, most likely a remnant of Anglo-Irish society, is abandoned but for the figure of Lydia Lunch, wearing her signature New York 'Goth' make-up and clothes. Lunch delivers a poetic monologue, both on screen and in voice-over, over a traditional soundtrack and her final words emphasize the circularity of Irish narratives: 'the past never dies, it just continually repeats itself.'

A young school boy develops an understanding about sex through the Internet and drawings on toilet cubicle walls; his curiosity lands him in trouble with the teacher he lusts for.

A policewoman is attacked, handcuffed and raped while on night patrol. Rather than report the incident, she decides to find and punish the rapist herself.