A house painter can't understand why everything he paints blue turns pink.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

A man peacefully sips his coffee, engrossed in a book, until a door suddenly swings open, revealing a dimly lit room.

昨年末に開催された『和楽器バンド Japan Tour 2019 REACT-新章-』は、彼らがユニバーサルミュージックに移籍後初となる全国ツアーで、公演では新旧の楽曲を織り交ぜたセットリストが展開され、移籍後初音源となる「Ignite」 や、「千本桜」「吉原ラメント」などのボカロカバー曲など全17曲が余すことなく収録されている。

A day in the life of John Lennon, alive and well in modern-day New York City. The former Beatle squabbles with a security guard, commiserates with his best friend over lunch, and upsets a bully.

Seeking refuge from the law, teen poet Stella tells of the mysterious disappearance of her highschool lover Sebastian and the strange deed she was compelled to perform

Follow the rise and fall of the cybersecurity firm Biodata and its CEO, Tan Siekmann, whose eventful career signifies the collapse of the New Economy.

"Worm" tells the story of a man wanted for a double homicide in the small town of Guthrie, OK. Jason "Worm" Truitt has a young daughter that he loves dearly - and a beautiful girlfriend that he feels is out of his league. Worm is always doing the wrong thing at the wrong time, taking odd jobs for shady men, and even breaking the law from time to time. He is constantly tailed by the local Sheriff, and constantly berated by his own Father and friends. The film plays out as a Southern Neo-Noir of sorts. A modern day "whodunit" tale told using a chest-mounted Snorricam. The audience journeys with Worm as he tries to clear his name and make safe the ones he loves. Along the way, he is entangled in a small town crime syndicate and nearly loses the people that mean the most to him. Did he commit this heinous crime? Will his past sins catch up to him? Only God knows.

A young man, to ensure that he will pass the high school maturity test convinces his girlfriend to help him steal the answer sheets.

Who is he? Where does he come from? What does he want? An experimental short film created for the most part with a mobile phone. The filmmaker shot on the first day, animated on the second, and tried to make sense of it all on the third.

The movie centers around Lorenzo Lamas as the mysterious drifter known only as Brady. He innocently rides into a small southern town and is drawn to the rescue of a young lady in distress, against a gang of cut-throats known as "The Blades". The leader of the gang vows revenge and thus sets in motion a dramatic, action packed ride. Bart the bartender teams up with Brady to save the day!

Jejou is a magical and visually powerful story that alternates and unites the popular traditions of the Guarani Mbyá, native inhabitants of the Misiones jungle, and the Poles, who from the end of the 19th century came to Misiones (Argentina) in search of a better life. future. It is a story of encounter, love, union, friendship, collaboration, learning, respect.

Fantasy is a favourite theme for directors, since it enables them to give vent to diabolical situations with unlimited licence. This film is of this category. It is the story of a jealous and protective mother who allows her son only home-made dolls to satisfy his sick fantasy. But as in all fairy stories, there comes a day when a real, warm girl enters the sheltered life of the son. His natural and innate thirsts for oddities soon make him repeat on the girl what, until then, he has been doing with the dolls. The story then evolves into a fight of wills between the mother and the girl.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.