The "star", as it is singular, is the sun; and it is metaphored, at the beginning of this film, by the projector anyone uses to show forth. Then the imaginary sun begins its course throughout whatever darkened room this film is seen within. At "high noon" (of the narrative) it can be imagined as if in back of the screen, and then to shift its imagined light-source gradually back thru aftertones and imaginings of the "stars" of the film till it achieves a one-to-one relationship with the moon again. This "sun" of the mind's eye of every viewer does not necessarily correspond with the off-screen "pictured sun" of the film; but anyone who plays this game of illumination will surely see the film in its most completely conscious light.

前作のラストで宇宙に飛び立った老人たちと異星人が、近く起きる海底地震に備えるためまだ残っている仲間の救出に帰ってきた……。

A man with a grudge against the late Little Joe seeks revenge on the Cartwrights and attempts to take over the Ponderosa.

A searing legal drama that centers on a highly credentialed child psychologist whose life is shattered when he's accused of sexually assaulting a young boy he's been treating.

Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.

Seven years ago, Zaid went to war against the Copenhagen underworld to avenge his dead brother. His identity as a respected doctor of cardiology and life as a family man is but a fading dream, and in prison Zaid suffers the loss of his son Noah, whom he barely knows. When a police agent approaches Zaid and offers him a deal to be released in exchange for infiltrating the Copenhagen underworld, he sees his chance to reclaim the remnants of the family life he left behind. But everything has a price, and Zaid realizes that he has now seriously endangered his son's life. After all, once you become part of the underworld, is there any way out?

It's 1649: Mazarin hires the impoverished D'Artagnan to find the other musketeers: Cromwell has overthrown the English king, so Mazarin fears revolt, particularly from the popular Beaufort. Porthos, bored with riches and wanting a title, signs on, but Aramis, an abbé, and Athos, a brawler raising an intellectual son, assist Beaufort in secret. When they fail to halt Beaufort's escape from prison, the musketeers are expendable, and Mazarin sends them to London to rescue Charles I. They are also pursued by Justine, the avenging daughter of Milady de Winter, their enemy 20 years ago. They must escape England, avoid Justine, serve the Queen, and secure Beauford's political reforms.

Chow returns to play Ko Chun, a skilled gambler who now lives in retirement in France. Wu Xingguo plays an evil gangster who forces Ko out of retirement by killing his pregnant wife. Ko is forced to team up with a variety of other people to win out in the end. Wu Chien-lien plays Chow's romantic interest, Chingmy Yau plays a Taiwanese femme fatale, and Tony Leung provides much of the laughs.

The Swamp Thing returns to battle the evil Dr. Arcane, who has a new science lab full of creatures transformed by genetic mutation, and chooses Heather Locklear as his new object of affection.

Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!

When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.

『少林寺三十六房』のキャスト・スタッフが再集結して製作したカンフー映画。少林寺三十六房に弟子入りした少年が、修行を積みながら独自の拳法を生み出していく様を描く。 僧侶と嘘をつき、偽の薬を売ったりお布施を騙しとったりして生計を立てていたチェンチェ。彼の兄が働く染物工場では従業員の賃金が不当に下げられていた。工場で働く友人から助けを求められたチェンチェは、和尚になりきって経営者たちを脅し、賃金を元の金額に戻すよう要求する。しかし正体がばれてしまい、激しい暴行を受ける。そこでチェンチェは従業員たちを救うため、カンフーを習得しようと少林寺へ向かうことを決意する。

Viridiana is preparing to start her life as a nun when she is sent, somewhat unwillingly, to visit her aging uncle, Don Jaime. He supports her; but the two have met only once. Jaime thinks Viridiana resembles his dead wife. Viridiana has secretly despised this man all her life and finds her worst fears proven when Jaime grows determined to seduce his pure niece. Viridiana becomes undone as her uncle upends the plans she had made to join the convent.

Road of no Return follows the final nine days in the lives of four atypical hit men who are secretly brought together in a covert operation to fight the drug trafficking epidemic in the country.

The Return is a 2016 documentary directed by Emmy Award winning director Erich Joiner chronicling Ford GT's return to 24 Hours of Le Mans after their 1966 1-2-3 victory.

主人公ハーパー役をポール・ニューマンが演じた、ロス・マクドナルドのハードボイルド小説「動く標的」に基づく大ヒット作。それまでに23本の映画に出演していたニューマンが初めて探偵役に挑み、ハードボイルドジャンルを再燃させた画期的作品である。うだつの上がらない探偵が、ある入り組んだ誘拐殺人事件をきっかけに活躍のチャンスをつかむ。脚本家ウィリアム・ゴールドマンによって粋な会話と新天地ロサンゼルスが“ハーパー流”に見事に脚色されている。資産家の女（ローレン・バコール）、銃を忍ばせる弁護士（アーサー・ヒル）、プールサイドに陣取るジゴロ（ロバート・ワグナー）、酒びたりの元女優（シェリー・ウィンタース）、熱狂的なジャズファン（ジュリー・ハリス）、ハーパーの別居中の妻（ジャネット・リー）、そして（ストローザー・マーティン率いる）“雲の寺”という謎の宗教団体。それぞれが謎を解く鍵を握っているのか？　あるいは、ハーパーに向かって引き金を引くのは誰なのか？

A happily married woman lets her catty friends talk her into divorce when her husband strays.

After yakuza boss Kurata dissolves his own criminal empire, a rival kingpin offers a position to Kurata's top operative, Tetsuya "Phoenix Tetsu" Hondo. When the fiercely loyal Tetsu declines, Otsuka taps unstoppable Tatsuzo the "Viper", a ruthless gun-for-hire, to assassinate him. As the Viper trails his target through the countryside, the agile Phoenix Tetsu grows concerned that one of his former associates has betrayed him.

結婚後14年が過ぎ、夫婦関係が破綻しかけたリチャード とマリアは、ある日決定的な諍いを起こし、互いに別々の夜を過ごす。リチャードは美しい高級娼婦ジェニー と、マリアは友人たちと行ったディスコで出会った青年、チェット と。翌朝マリアは衝動的に自殺を図り、チェットに救われるが、夫が帰宅し、チェットは逃げ出した。家には2人だけが残され、深い沈黙が夫婦を包みこんでいくのだった。

While fighting for a woman who sits on death row, a lawyer happens upon new information which brings into question the motives of a man associated with her client