The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

私生児として育ち町中からバカにされていたスコットは、憧れのガンマンに弟子入りする。厳しく非常なガンマンの心得を身に付けたスコットは、しだいに人柄が変わり、師匠のやり方に疑問を持ちはじめ……。

In the early days of Nazi Germany, a powerful noble family must adjust to life under the new dictatorship regime.

It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

A police detective falls in love with the woman whose murder he's investigating.

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

Jacek climbs into the taxi driven by Waldemar, tells him to drive to a remote location, then brutally strangles him, seemingly without motive.

17世紀のイギリスの物語。外国に亡命中であったクランチャリー卿は我児ギンプレーンへの愛着にひかされ国に戻ったが奸臣バーキルフィードロのために殺される。ギンプレーンもバーキルフィードロによってコンプラチコの手に渡され医師ハードクオノンヌはその顔に恐ろしい「笑い」を植えつけた。やがて国王ジェームズ2世はコンプラチコの無道を知ってその一族を国外へ放逐する・・・

ジョニーは出所したばかりにも関わらず、競馬場の売上金強奪を企み仲間を集める。周到な準備の末、いよいよ決行の時が来るが、計画が成功したかに思えた瞬間、思わぬ展開がジョニーたちを待っていた……。

In Italy, small-town newlyweds Wanda and Ivan Cavalli embark on their honeymoon in the big city of Rome. Ivan dutifully wants to keep appointments with family and church, but Wanda is only interested in meeting her favorite photo-strip star known as "The White Sheik". While Wanda impetuously sneaks away to locate the object of her affections, disconsolate Ivan tries his hardest to keep up appearances with the couple's relatives.

The heir to a noble and influential family finds the love of his life, but she will only accept him if he becomes a kung-fu master. He becomes a legendary folk hero who tries to save the emperor.

Krzysztof Zanussi's groundbreaking film chronicles a decade in the life of a young physics student whose absolute faith in the primacy of rationality and science is shaken by tragedy and affairs of the heart.

Itinerant projection-equipment repairman Bruno Winter and depressed hitchhiker Robert Lander - a doctor who has just been through a break-up with his wife and a half-hearted suicide attempt - travel along the Western side of the East-German border in a repair truck, visiting worn-out movie theaters, learning to communicate across their differences.

A clique of school girls devise a secret plan that they code-name "Lick the Star".

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines.

In an industrializing Italian town, a married woman, rendered mentally unstable after a traffic accident, drifts into an affair with a friend of her husband.

ドイツ軍に美しい故郷を踏みにじられ、両親も妹も失ったイワンはナチス･ドイツヘの激しい憎しみから、パルチザンに協力している。危険を犯して敵の占領地域を偵察するという大人も顔負けの任務をこなしているのである。だがガリツェフ上級中尉も、グリャズノフ中佐も、ホリン大尉も、カタソーノフ古参兵も、彼をこのまま危険な仕事につかせておきたくなかった。大人たちはイワンの身を案じ、後方にもどして学校へ通わせようとするが、イワンはそれを拒む。