Amidst many distractions, Samantha struggles to find her voice recording a new song. She encounters a mysterious stranger who reminds her of why she loves to create music.

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

Multishow ao Vivo: Vanessa da Mata is a live album and DVD from Brazilian singer Vanessa da Mata, produced by the channel Multishow. Multishow ao Vivo was recorded live at the historic town of Paraty, and brings in the repertoire songs that marked the career of da Mata.

Several little boys run along a pier, then jump into the ocean.

When a high-school girl complains of her inability to reach sexual climax, her doctor suggests that she keep a diary of her sexual encounters. She does just that and soon finds herself caught up in a sexual merry-go-round that includes making a hardcore porno film in Sweden, an escapade with a German sadist and a lesbian encounter.

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

André is the powerful owner of an illegal casino and popular gambling ("Jogo de Bicho") on the streets. His gang is in war against the gang of Fiore that is trying to steal the gambling establishments of André. When the prostitute Margot sees her old friend and ex-con Sarja working as a waiter in the casino where she tricks clients, she invites him to stay with her in her apartment. When André, who is gay, sees the handsome Sarja, he falls in love with his employee that becomes his protégée. Meanwhile, Sarja and Margot plot to steal the high stakes on St George's Day and they invite André's henchman Lobão and two gangsters to participate in the heist. Meanwhile Fiore also plots to steal André's money with his gang.

After CLEVELAND VS. WALLSTREET, the director dived into the universe of the Opéra national de Paris to film his documentary about this major centre for musical creation. During this shoot, he met Philippe Jordan, musical director of the Opéra national de Paris. “Filming Philippe Jordan is like a waking dream. He occupies the frame, he bursts from the frame, he is simultaneously totally present in the music, and elsewhere, connected to some invisible forces,” says the filmmaker about the conductor, whom he was able to film close up during rehearsals for Gustav Mahler’s Ninth Symphony. This invisible aspect is what the camera explores in this short film: by focusing on this piece in particular, entirely given over to listening and immerged in the very heart of creation, Jean-Stéphane Bron reveals a fragment of work that we imagine to be titanic, and allows us to see and to hear, in a whole new way, a work whose interpretation is profoundly marked by silence.

Claudio Lacroics, a French-born prosecutor, is in Sicily to fight the Mafia. Every day he clashes with the beliefs of a community where the only rules are prejudice and silence. In addition, Claudio has married Lucienne and welcomes his sister Roberta into his home; she returns only to ask for money with her lover Richard.

Back in effect; It's five years later and Greasy @ss "SoSo"--having escaped death--is up to his old tricks. Meanwhile, dis new product from Lollipop (called "Candy"--after his sister) hits the scene like Wild-Fire. H-Town is fixin' to heat the hell up!

While working at the local video store, Vicky meets Sam, who quickly becomes a regular costumer. Both fall in love, ignoring the true reason for their rendez-vous.

A Martian invader crashes his spaceship conveniently close to the workshop of a scientist who is developing an interplanetary craft. If the extraterrestrial Purple Monster can complete the rocket ship and return to Mars, he will be able to start a full-scale invasion of Earth. Good thing Craig Foster sets out to thwart the Monster's mission!

On a tourist trip abroad the passengers on the coach witness an assassination attempt on the President Hurkas. One of the tourists has evidence against the perpetrators, and is killed when the coach reaches Sweden. Another passenger observes how one of the perpetrators is picked up by a yellow car. She is kidnapped and locked up in a mental hospital.

A poor maid loves her wealthy young master and she becomes pregnant. The head of the family seeks to make her marry a lawless man to give the newborn girl his name. Time passes and the girl becomes a dancer in nightclubs, and falls in love with a wealthy young man who knows who is her real father .

Beauty Spots in America: Castle Hot Springs, Arizona (1916), a promotional film for a spa for the rich and famous.

A small group of men and women , whose children got murdered, take justice into their own hands.

Suave gambler Clay Watson, cocky sharpshooter Moses Lang, and wily thespian Edwin Kean are a trio of criminals in the Old West. The motley threesome are forced to form an uneasy alliance in order to find $400,000 dollars in stolen money.

With longtime collaborators Greg Watkins (A Little Stiff) and Thomas Logoreci, the charismatic, experimental filmmaker Caveh Zahedi approaches legendary songwriter Will Oldham (Palace Brothers, Bonnie "Prince" Billy) in an unconventional interview. Caveh offers up a serving of psychedelic mushrooms and a view on the relationship between the musician and his fan.