Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.

Two babies are shown seated next to each other, in high chairs, apparently enjoying themselves. Suddenly one snatches a toy from the other and they indulge in hair-pulling.

A comedy that walks on the field of non-fiction, focusing on the attempts of an artist (Dídac Alcaraz) to reflect the presence of foreign students in Barcelona. The film reflects the process of a creator who wants to fulfill his dream, complete your project, but to get away ever more of reality. The problem is he has no money, no one understands the film. Only a friend seems willing to help and accompany him on the inner journey that plunges Dídac as you progress in the process of completing his film.

During the final days of World War II, a simple French peasant rescues a wounded German soldier and nurses him back to health. As their playful camaraderie grows, two young men who should be enemies begin to bond in ways neither thought possible.

The sexual and social dysfunctional behaviour of the corporate elite are further aggravated when a naive married woman becomes the obsession of two wealthy suitors.

The humble Zacarias goes to the big city with his wife to help their son who wants to be a Doctor. There he gets a job, and lives a lot of funny adventures as a taxi driver.

Stoic truck driver Jinpa picks up a silver dagger wearing hitchhiker in the desolate Kekexili plateau. The stranger suddenly reveals he’s going to kill the man who murdered his father.

A woman living in Mauritania is ordered to eat excessively so that she becomes more desirable and finds a husband.

In lawless storm ravaged New Orleans, eleaguered Detective Sean Riley is trying to cope with the death of his young son and the abandonment of his wife. Facing a probable suspension from the department, Riley is teamed with a young homicide Detective, Will Ganz, to help solve a series of brutal murders that have plunged the city into a major gang war. The two quickly realize there is something far more sinister going on than either could have ever imagined.

A man wakes up in an alley, bleeding and with no memory of who he is. He stumbles into a coffee shop and is befriended by a charitable ex-nun who is failing in her attempts to write marketable pornography.

A husband and wife lie to each other about their weekend travel plans, only to both show up at the family's country house with their lovers.

スイスらしき村のスタジオで、ポーランド人監督のジェルジーやハンガリー出身のプロデューサー・ラズロらの撮影スタッフは、「パッション」という作品をビデオ撮影していた。その作品は、レンブラントやドラクロワの名画を、俳優たちに様々な扮装をさせたり裸でカメラの前で静止させたりして再現するというもの。だが、監督が光の具合に不満を露わにしてNGを連発したり、予算超過で製作中止の危機に陥っていた。ジェルジーは工場従業員のイザベルとホテルの女主人ハンナの間で揺れながら作品を完成させようと模索するが…。

ある雨の夜、未亡人の掃除婦エミは近所の酒場で年下の移民労働者の男、アリに出会う。愛し合い、あっという間に結婚を決める彼らだったが、エミの子供たちや仕事仲間からは冷ややかな視線を向けられる。年齢や文化、肌の色、何もかもが異なる二人の愛の行方は。

ひとりのうらぶれた男（松本人志）がインタビューを受けている。都内の一軒家で野良猫と暮らすその男は、「大佐藤大（だいさとうまさる）」という名前だった。インタビューのクルーは、彼のプライベートを追いかける。大佐藤は常に折りたたみ傘を携帯し、町の食堂で力うどんを好んで食べる。彼には、別居中の妻と娘がいる。そしてまた、老いた祖父が老人ホームにいた。祖父の面倒を見るのは、大佐藤大だけだった。大佐藤の仕事とは、街に獣が現れたときに巨大化して「大日本人」となり、それを退治するというものだった。先祖から世襲で続き六代目となる家業だが、最近は批判の声も多く、肩身を狭くしながら日々を過ごしている。かつて、祖父の時代には環境にも恵まれていたと語る六代目大佐藤。大日本人と獣の戦いはテレビ中継もされているが、昨今では深夜帯にしか流れていない。そんな状況を改善するため、女マネージャー（UA）は大日本人の身体に広告を入れることを提案して、やむなく大佐藤もそれを受け入れる。締ルノ獣（海原はるか）、跳ルノ獣（竹内力）、匂ウノ獣（板尾創路）、童ノ獣（神木隆之介）らを倒した大日本人の前に、最強の敵・ミドンが現れた。苦しめられる大日本人。そこに介入してきたのが「大アメリカ人」こと、スーパージャスティス（宮迫博之）とそのファミリーだった。あっという間にミドンを退治したスーパージャスティスたちは、大日本人をスーパージャスティス星へと招く。そこで行われるファミリーでの反省会に参加しながら、大日本人はひたすら困惑するのだった。

At the age of 13, Rafael Bregman has already lost his virginity, but has never kissed a girl. With his pimple-riddled face, his dysfunctional family, and a lowered self-esteem, getting this much anticipated first kiss proves trickier than expected. It's now time for Rafa to build up some self confidence and attract the attention of his class mate, Nicole...

In Moscow in 1983, an American journalist interviews Guy Bennett, who recalls his last year at public school, fifty years before, and how it contributed to him becoming a spy.

Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.

叔父からコイン・ランドリーの経営を任されたパキスタンの青年、オマール。経営がうまくいかず、幼なじみのジョニーの力を借りておしゃれに改装すると……。人種を超越した男同士の関係を描く。

Dane ‘Marbles’ Marbeck can see ghosts, thanks to a homemade drug: his late father’s neurological medication mixed with marijuana. Officer Jayson Tagg, a wannabe super-cop on the trail of a serial killer, ends up murdered. So when Marbles’ mum plans to sell the family farm, and the only way of buying the house off her is taking the money offered by Tagg in exchange for his help, Marbles accepts. The unlikely duo of stoner medium and ghost cop struggle to reconcile their differences while they navigate their way through ghouls, perverts, a mysterious hooded figure, and an unexpected shot at love. It becomes clear the only way Marbles and Tagg will solve the case with their souls intact is to confront their deepest regrets and overcome their prejudices.

Girl Lost tackles the issue of underage prostitution as told through the eyes of a wayward teen. Groomed by her own mother to work in the underbelly of Los Angeles, the young girl struggles to survive in this dark world.