With the aid of four actors in a rehearsal room, filmmaker Nur Fibak lays open the police investigation and court proceedings against the man who had molested her, revisiting the case as it unfolded from the moment she decided to seek justice. The film opens a unique window into the workings of the Israeli criminal justice system in sexual offense cases. Behind closed doors, during the cross-examination, everything is permitted, including asking invasive questions, doubting the woman on the witness stand, and forcing her—that same traumatized child, now grown up—to experience a second kind of abuse.

The kids try to raise money to buy a doll for Marianne.

Badavara Bandhu is a 1976 Indian Kannada language drama film directed by Vijay. It stars Rajkumar and Jayamala. The movie is also notable for the negative character played by K. S. Ashwath.The movie saw a theatrical run of 25 weeks and was declared a Blockbuster at the box office.

Unwilling to process a near-fatal car accident, an overworked director arrives late to the set of his horror film to find that most of the crew has left. Determined to complete the film, he and the remaining crew find out that his trauma from the accident refuses to let him go that easily.

To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."

American religious extremism collides with independent filmmaking when Harmony Hope Bryant sets out to create a cautionary movie about the dangers of roleplaying games.

Rosario is a paid assassin who kills men who mistreat or abuse women. When the police capture her, it's the end of the myth. But Maria, a hysteric invalid, saves Rosario in exchange for a different job.

Leon, a hacker convicted for a crime he did not commit, escapes from detention centre following the death of his father, to take revenge on the man who really did it.

A short thriller about three younger friends who enjoy checking out 'haunted' places around town, until they go to a barn in Cedarville and something unexpected happens.

A young German man who has just arrived in America, hopes to get over the collapse of his marriage. However, he soon discovers that his ex-wife is pursuing him.

Join an expanded cast of Jellicles in this unauthorized sequel as they explore the inevitable and unknowable mysteries of life, death, and love through the transformative power of art. This one-of-a-kind, mixed media romp is sure to take you by surprise, wondering what could possibly come next...

A Blue Soldier and a Yellow Soldier play a board game trying to outwit each other, struggling for control over a piece of land. The Farmer who belongs to the land is not allowed to play and must pick a side. As the fighting escalates, what side does she choose?

Two colleagues face a difficult problem when one of them acquires a tail overnight. An animalistic solution is soon found, satisfying everyone involved.

The first screen adaptation of Harriet Beecher Stowe's novel to star a black man in the title role.

The story takes place in post-revolution Libya. It is a documentary on a country being rebuilt from scratch after a huge event, as seen through the people's perspective. The film's main character is Yusef, a young man who took part in the revolution and is Libya's most famous rapper. Yusef wrote the songs for the revolution and his fame has spread across the Arab world. Through his eyes, the film tries to unfold the vision young Libyans have of their country after Gaddafi. The camera follows him everywhere, filming him as he tells his stories and talks about everyday matters, social issues, and politics. His presence is accompanied by his music - excellent Arabic rap which adds rhythm and punch to the story

John is driving through the most godforsaken area of Norway, when he accidently gets a flat tire. By his attempt to change the tire he realizes that that his car wasn't equipped with one. But as he takes a peek at the ditch next to the road, he sees a whole bunch of spare tires. The world's nicest guy stops to offer help. The problem is that John really do not want help, and he knows an accident rarely comes alone...

Tex rides to the rescue when badguys led by LaCrosse and Utah Joe kidnap Lettie.