An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing field, complicated by some teenagers who decide to camp out in a dilapidated building on the estate.

『デストラップ・死の罠』（Deathtrap）は、1982年に製作されたアメリカ合衆国の映画。原作はアイラ・レヴィンの戯曲『Deathtrap』。シドニー・ルメット監督作品。

18世紀ヨーロッパ貴族社会の風俗や世界観を鮮やかに再現し、日和見主義で英国貴族に成り上がっていくアイルランド青年の栄華と没落の半生を描いたヒューマン・ドラマ。

顔も知らないエージェントに惚れられ、殺し屋は2人の関係に“期限”が近づいたことを知る。そして、殺し屋に恋をしたもう一人の女。一方、失恋した女は、前の恋を忘れるまでの“期限”つきで、口のきけない男と付き合う……。香港を舞台に、5人の男女の物語が交錯する。

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Monika from Stockholm falls in love with Harry, a young man on holiday. When she becomes pregnant they are forced into a marriage, which begins to fall apart soon after they take up residence in a cramped little flat.

オペラ観劇後に晩餐会に招かれ、ノビレ夫妻の邸宅を訪れた20人のブルジョワたち。晩餐を終えた彼らは客間にすっかり腰を落ち着かせ、夜が明けても全員が帰る方法を忘れたかのように客間を出ることができなくなってしまう。そのまま数日が過ぎ、水や食料も底を突いて命を落とす者まで出現。ブルジョワたちの道徳や倫理が崩壊していく中、事態は異様な展開へ転がりはじめる。

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

20世紀初頭のパタゴニア地方を舞台に、先住民を殺害することを目的として旅する白人のグループの行動を、白人と先住民の間に生まれた若者の目を通して描く。チリの歴史の中で埋もれていた事件に光を当てた作品。

A Swedish pastor fails a loving woman, a suicidal fisherman and God.

A 14-year-old video enthusiast obsessed with violent films decides to make one of his own and show it to his parents, with tragic results.

Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.

In the early days of Nazi Germany, a powerful noble family must adjust to life under the new dictatorship regime.

The rise of a raucous hayseed named Lonesome Rhodes from itinerant Ozark guitar picker to local media rabble-rouser to TV superstar and political king-maker. Marcia Jeffries is the innocent Sarah Lawrence girl who discovers the great man in a back-country jail and is the first to fall under his spell.

長年勤めた職場を追われ、家族も恋人もなく、人生に絶望したアンリは、自殺を試みるもうまくいかず、思い余ってプロの殺し屋“コントラクト・キラー”に自分の殺しを依頼する。が、その直後、アンリは花売り娘のマーガレットと恋に落ちてしまい……。

A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene.

German journalist Philip Winter has a case of writer’s block when trying to write an article about the United States. He decides to return to Germany, and while trying to book a flight, encounters a German woman and her nine year old daughter Alice doing the same. The three become friends (almost out of necessity) and while the mother asks Winter to mind Alice temporarily, it quickly becomes apparent that Alice will be his responsibility for longer than he expected.

Set in a surface mine, two boys sink into a seemingly innocent power game with Mother Nature as the sole observer.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where do babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.