Driven by vengeance, thirsty for blood... and damned to hell! Guarded by vampires and chained in a dark cellar by the mighty vampire King Pashek, crack vampire hunter Carrie Rieger's time is running out.her relentless quest to crush the world's undead scourge has brought her to the home of Pashek. But she is not here to hill him. Instead she wishes to join forces with her immortal enemies in an effort to rise up against an even more terrifying threat, one that would chill the soul of even the most blood-thirsty vampire; the mighty vampire demon Vlad Kossel.Thought to have been killed many hundreds of years ago, Kossel has now returned to wreak bloody vengeance on his kind before enslaving humanity. He will destroy everything in his path and there is only one hunter who can stop him...

Four twentysomethings find themselves stuck on a haunted antique bed where leaving means suffering a gruesome death. Plagued with frightening hallucinations, they must figure out the bed's secrets before they are ultimately picked off one by one.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Miss Yamagami is beautiful with a willowy figure and slender legs. She seems out of place teaching in an all boys school. The young school marm is fully aware of her power over the impressionable boys in school and it satisfies her vanity. She stirs up their nameless longings until they are carried away and resort to acts on which Miss Yamagami had not counted on.

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).

One of Bob Hunt's neighbours' electricity is cut off because she cannot pay the bill. She is assisted by contributions, and the bill is paid entirely in pennies, though the clerk is belatedly told that payment is not accepted in such a large quantity of coins. Unfortunately, the electric company fails to reconnect the power due to a communications snafu, and the elderly woman is taken to hospital suffering hypothermia. Hunt sets off on a vendetta of revenge, sabotaging assorted support systems.

Astronauts Pete Burke and Allan Virdon crash on Earth in the far future and are captured by the apes. The men befriend a chimp named Galen who helps them to escape. In the hopes of finding a way to get back to their own time, the astronauts search for a computer in an earthquake-threatened city, with which they will be able to access their flight records. [The first of five telefilms edited from episodes of the 1974 TV series; this film combines the episodes "Escape from Tomorrow" and "The Trap"]

A visually stunning paean to spiritual pilgrimage that creates a world of intense reverence, distinctly Asian in its imagery. Set to Georgian folksongs with 3½ tons of shimmering golden grains of rice.

Charlie (Guy Marchand) returns home after being declared legally dead to reclaim his wife Georgia (Caroline Cellier) and cash in on a lucrative life insurance policy in this shadowy drama. He finds Georgia is married to the crooked cop William (Niels Arestrup), who has his eye on the insurance money. Antihero Charlie and the villainous police inspector head towards an inevitable confrontation, while Georgia is caught in the middle.

Described as a high-concept international thriller that has a badass Running Man meets Bloodsport vibe.

Directed by Jordan Blady, One Temporary Escape captures New Zealand band The Naked and Famous live at The Warfield in San Francisco towards the end of their two year "Passive Me, Aggressive You" world tour.

A fussy shopkeeper's life drastically changes when his wife takes in two homeless boys.

A travelling theater-company performs Offenbach's "The Beautiful Helene" when an officer in the audience notices the similarity in appearance between the leading actor Leonard Pettersson and the king Charles XV.With Pettersson dressed as the king and the other actors as the royal suite, they all go to Herrsunda castle where the officer is trying to make an impression on his fiance.

An orphaned bear cub is adopted by little Emily and her family. They name the cub Masha, raise her and release her back into the wild. Three years go by, and Emily is lost deep in the forest. Cold, frightened and alone in the darkness, she falls and is knocked unconscious. When she awakens, Emily is amazed to see that a brown bear has kept her warm and dry all night by cuddling her. It's Masha – and Emily is overjoyed to be reunited with the bear just when she needs a friend most. Together the two bravely set off on an adventure to find their way home. Bear With Me is a tale the whole family will find as exciting as it is heart-warming . . . and the magnificent forests of the Pacific Northwest lend this story of loyalty, friendship and adventure a magic all its own.

The beauty of the ruins of a thirteenth-century Greek church is heightened by supernal light and shadow play.