Caiti Lord had always dreamt of being a singer. A born-and-bred New Yorker, she studied at the best music schools and performed on Broadway. Her future was sparkling bright . . . But today, the only thing that glitters is the snow that falls on the desert. Self-exiled in Madrid, New Mexico, far from the glitz and glamour of the Big Apple, Caiti’s looking for a way forward. In this former ghost town, surrounded by mountains and old hippies, between her day job slinging drinks to tourists and the sleepless festive nights, her life is slipping by. That’s the story she tells each day on her radio show. As the United States sinks into madness and the world turns terrifyingly absurd, Caiti feels increasingly suffocated. She’s about to turn 30 and her future has never felt so uncertain. How can she find her way back to a place of meaning and self-expression?

A journey into the mines provides a visual representation of a journey into the conscience of Kentridge's invented character, Soho Eckstein, the white South African property owner who exploits the resources of land and black human labour which are under his domain. Throughout the film the imagery shifts between the geological landscape underground inhabited by innumerable black miners and Soho's world of white luxury above ground. When Soho, breakfasting in bed, pushes down the plunger of his cafetière, its movement is transformed into a rapid descent through the tray, through the bed and into the mine-shaft. Here the miners' world of overwhelming misery is depicted in claustrophobic tunnels where they are trapped digging, drilling and sleeping, embedded in rock. Above ground, Soho sits at his desk in his customary pin-stripe suit and punches adding machines and cash registers, creating a flow of gold bars, exhausted miners, blasted landscapes and blocks of uniform housing.

In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …À Valparaiso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.

In the Georgian riverside town of Kutaisi, summertime romance and World Cup fever are in the air. After a pair of chance encounters, pharmacist Lisa and soccer player Giorgi find their plans for a date undone when they both awaken magically transformed with no way to recognize each other.

The uneventful lives of three young men who live in a small, poverty-stricken village in southern Italy.

短大の卒業を控え、日々就職活動に追われている一人暮らしの彼女。そんな彼女の飼い猫である“僕”は、ひたむきに頑張る彼女に寄り添い、ささやかながら安らぎの時間を分かち合っている。様々なことに悩み、傷つき、挫けそうになっても、いつも凛とした姿で扉を開け外の世界へと踏み出していく彼女。“僕”はそんな彼女のことが大好きで、いつまでも見守り続けたいと思っていた。

Three high school students experience the perks and pitfalls of love in director Leste Chen’s sensitive tale of friendship and yearning.

故郷“エル・スール”（スペイン語で“南”の意味）を捨て、北の地へ移り住んだ父の姿を、スペイン内戦や、彼の忘れ得ぬ恋人への想いを絡め、その娘の目を通して描いたヒューマン・ドラマ。

蒲田に妻と住む杉山正二は、丸ノ内への通勤途中で知り合ったサラリーマンたちと仲良くなり、退社後に遊びに行くのが日課となっていた。妻は退屈な毎日から逃れるように、おでん屋を営む母の実家へ帰ったりしている。通勤仲間と出かけた江ノ島で、杉山は金子千代と接近。千代の誘惑に耐えきれず、関係を持ってしまう。二人の関係に気づいた杉山の妻は家出して、旧友のアパートに転がり込んだ。同僚の死をきっかけに、杉山は自分の生き方を振り返り、千代と別れようと考え始める。ちょうどその頃、会社で地方工場への転勤話が持ち上がった。小津安二郎が野田高梧とともに書いたシナリオを監督し映画化。不倫に揺れる昭和30年代のサラリーマン夫婦を描く。

A Scottish warlord and his wife murder their way to a pair of crowns.

Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now an archaeological site of sorts that reveals aspects of life in society which have been lost. And that’s just part of the story.

In need of creative inspiration, a professionally stagnant and hard-partying Los Angeles artist recklessly indulges in a series of drug binges. As the narcotics fly out of control, so does her newfound and inexplicable, yet unquenchable, craving for blood.

At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.

Aspiring writer Tommaso makes a living by penning the self-help column of a women's magazine. One day he receives a letter from a reader asking for advice on how to break up with her man: it is none other than Zoe, his partner of ten years, unaware of his pseudonymous side job. Tommaso can't believe his eyes and answers her in private to learn more.

Sergio Benvenuti is a shy seller of contracts for a Roman company of music, but because of his character he cannot find even a customer, so he asks for help from a fellow named Nadia.

関係者の独占インタビューと秘蔵映像を交えて、F1世界選手権で通算7度の世界タイトルを獲得した名ドライバー、ミハエル・シューマッハの素顔に迫る。

8歳のヤンヤンは、祖母と両親と姉と台北のマンションで暮している。しかし、祖母が脳卒中で倒れ昏睡状態に陥ったのを機に家族の空気が変わり始める。看病に疲れた母は家を出、偶然昔の恋人と再会した父は過去を思い出し、姉は恋に思い煩う。そんな家族の姿をヤンヤンは冷静に見守り…。

ロサンゼルスのとある廃墟と化した教会。その扉を開けた一人の老司教はそこに不気味な緑の液体を発見。悪魔の復活を予感した彼は超常現象の研究を進める教授ほか数名の研究員と共に教会に乗り込み調査を開始する……。「ハロウィン」「遊星からの物体X」などで知られるSFホラー作家の鬼才ジョン・カーペンターが、マーティン・クォータマス名義で脚本も手掛けたオカルト・ホラー。

生粋のエリート軍人グレン・マクマホン陸軍大将は、アフガニスタンの駐留米軍司令官に任命される。戦争が泥沼化して膠着状態となった戦地に、ただ1人、彼だけが勝利を信じて意気込み盛んに飛び込んでいく。しかし現地では、政治家やジャーナリストの思惑が渦巻いていた。やがてマクマホン大将は錯綜する情報の中、厄介な立場に身を置くことになる。

ジョニーは出所したばかりにも関わらず、競馬場の売上金強奪を企み仲間を集める。周到な準備の末、いよいよ決行の時が来るが、計画が成功したかに思えた瞬間、思わぬ展開がジョニーたちを待っていた……。