Johnny, Elisabeth, and Ryan grew up best friends. Things change when Ryan asks Elisabeth to marry him, sending Johnny down a dangerous path.

A gorgeous and frequently emotional rumination on the “big things” in life, James Gallagher’s new short film, Love, poses questions on what we love, why we love it, and what happens when the desire to win becomes detrimental to our experience of ourselves and other people. While that description seems preachy, the film is not didactic—on the contrary, its plot is extremely loose and impressionistic, requiring the viewer some effort to construct its fast-moving snippets into a coherent narrative.

Born in 1918 in the ideal village of independence activists in the northern part of Manchuria, pastor Moon Ik-hwan lost his childhood friend Yun Dong-ju under Japanese oppression and Chang Chun-ha during the Yusin regime. Moon survived the mass of modern Korean history, giving hope everywhere suffering.

Max, awakening on his wedding morning, discovers that it is close on the hour when he should be at the church. He dresses hastily, and in struggling with a refractory collar, allows his boots to be burnt by the fire. There is no time to change them, and he hastens off to the bride's house. On the way his soles part company with their uppers, and poor Max enters into negotiations with a passing labourer for the purchase of his footgear.

Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.

The story is essentially the same as the popular Jane Cowl play, with Talmadge in the dual role of Kathleen and Moonyean. Kathleen, a young Irish woman, is in love with Kenneth Wayne but is prevented from marrying him by her guardian John Carteret. John is haunted by memories of his thwarted love for Kathleen's aunt, Moonyean.

Gathered one summer in a beautiful shoreline town, three generations are drawn together by their patriarch. With endearing moments of humor and uplifting spirit, Harvest is a portrait of a family awkwardly yet delicately hanging on to what was, what now is, and to one another.

In celebration of their 35 years on the road Motörhead is proud to present The Wörld Is Ours Vol 1 - Everything Further Than Everyplace Else, a blistering DVD containing some of the finest moments from the tour, including the entire performance from Chile's Teatro Caupolican, shot by Banger Films and Sam Dunn. Mixed by the band's long-time producer Cameron Webb, The Wörld Is Ours Vol 1 is stuffed with the classics Motörfans demand, from 'Overkill' to 'Ace Of Spades' to 'Killed By Death' as well as some old gems like 'Over The Top' and new favorites such as 'I Know How To Die.' The Wörld Is Ours Vol 1 gives you every click from every pick and kick from the band's supreme performance in Chile, plus some tasty morsels from New York's Best Buy Theater and the Manchester Apollo. The Wörld Is Ours Vol 1 is a pure testament to the power, glory and sheer voltage of the finest rock'n'roll played by real legends.

When he tries to arrest a suspect, a police captain find him dead. Investigation will uncover a counterfeiting ring.