Jorge is a loner and a writer of popular books. At night, he looks through other people's windows and thinks that they are truly happy.

This spaghetti western presents a fictitious version of the often filmed legend of Pat Garrett and Billy the Kid. Billy becomes innocently an outlaw while protecting his mother, but then turns into a trigger happy killer. When he falls in love he tries with the help of Pat Garrett, a fatherly friend, to change back. However, circumstances force Billy to become violent again and it is Garrett who is credited with the killing.

When the gang goes on safari, they encounter a variety of freaky, glowing demon animals.

On July 9th GCW presents Fight Club Houston straight from Premier Arena in Houston, Texas. The lineup is almost completed, check it below: AJ Gray vs Bryan Keith Nick Gage vs Sadika Joey Janela vs Dante Ninja Mack vs Jack Cartwheel Effy vs Gino Jimmy Lloyd vs Carter Lucha Scramble .... more to be added soon!

1984年。ソビエトは、冷戦の対米兵器として鮫を兵士に改良した「ハイブリッドシャーク」を開発する。しかし、研究施設の鮫兵士が暴走し、セルゲイ博士は鮫兵士を道連れにロケットで月へと向かう。そして、地球の平和は守られたかに思えた。それから40年後の現代。トレス船長（マキシ・ウィトラク）率いる宇宙飛行士たちを乗せたNASAの宇宙船が、月に向かう途中で航路を何かに妨害され、月の裏側へと不時着する。地球との通信は遮断され、トレスたちはなんとか帰還するために月面を探索する。その時、地中から現れた未知なる生物がトレスたちを襲う。それは、人間と鮫が融合した想像を絶する姿をしていた...。

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Nina is a successful TV star, but her life changes when she is diagnosed with cancer. Facing a personal crisis, she has to confront her deepest fears.

A Broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.

The Tang monk said: It is difficult to be a monk, and it is difficult to be a monk with a face better than a talent; It is difficult to be a non-mainstream monk with good looks and talents. Sun Wukong said: Junior Brother Sha, that old guy is starting to lose his face again. ZBJ said: It's easy to be a pig, but it's not easy to be a pig that I do. The sand monk said: Don't look at my rough appearance, in fact, my inner thief is gentle and dripping. The little white dragon said: Don't talk to me, you've seen a few handsome guys who will open their mouths at will.

In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.

Tania learns that her grandmother spent the last years of her life in the loving company of an alien. Together with two friends, she travels through rural Argentina to bring the creature back to its place of origin.

Mei lives in an orphanage, but she is adopted by the wealthy and kind Uda family. The family already has an adopted daughter Rana. While Rana seems weird, Mei and Rana find that they have a lot in common and become like real sisters. The girls then learn that the Uda family's business has collapsed and they can only keep one of the daughters. One of the girls will be returned to the orphanage in a week. Revenge is soon planned.

"The image is universal; the country of origin is Israel, confirming that its young are not different from others elsewhere. The atmosphere is cool, modern, Western; the decor utilitarian, the style avant-garde. Nothing detracts from the soft abandon of the scene. This film is banned in Israel. And who said that Israel cannot make sex films? Yet the contrasting myths of Israel as an idealistic society given to righteous self-improvement or a militarist-orthodox state bent on self-aggrandizement are so strong that this work comes as a surprise. Its manifold copulations, sophisticated stance, avant-garde modernity, and political thrusts stamp it as the testimony of a new generation. One sequence: "A vision of the Virgin Mary waiting for the Holy Ghost to do his thing, as Avidan's voice sings a tearful Yiddish refrain and Joseph the Carpenter bangs on the door, before going to take his vengeance by building a cross."" — Amos Vogel

If you could combine the onstage magnetism of Mick Jagger, the lyrical brilliance of Bob Dylan, and the personal fragility of Brian Wilson, you would only have begun to scratch of the surface of Larry Norman.

In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.