Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.

男を求めてさまようネジ子は、路上で男と出会い海岸へ行く。しかし男は自殺願望があり、ネジ子を抱こうとはしなかった。そこへ制服姿の男たちが現れ、武器の入った箱を運び出すところを、ネジ子たちは目撃してしまう。二人は男たちに連れ去られ、郊外の廃墟であるアジトに監禁される。アジトにはヤクザの出入りのために雇われた男たちがいたが、出入りは中止になり、ヤクザはいなくなってしまった。

ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.

The Versace story is a family story of glory and tragedy that reads like a glamorous soap opera. In the late 1970s, Gianni Versace founded a small family business that would grow into a global fashion empire with his older brother in charge of the finances and his sister as artistic director. His audacious designs would revolutionise the fashion industry.

Vishwanathan, a Kathak dance teacher in New York, is happy in his marriage with Nirupama, a nuclear oncologist who married him to pursue higher studies in the USA. Deciding to cut ties with her husband, Nirupama hires a private detective to monitor his activities. To her utter shock, certain truths about her husband are subsequently revealed, setting off a chain of events that will change both of their lives irreversibly.

In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over the court. General An Lushan finds a distant relative working in their kitchen whom they groom to present to the Emperor. The Emperor falls in love with her and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets. The ministers misuse their power so much that there is a popular revolt against the Yangs, fueled by An Lushan.

抑えがたい欲望と葛藤。緊張に満ちた、日常のドラマ。深い洞察で人間を濃密に描く、ジョセフ・ロージー監督の代表的傑作！ オックスフォード大学の哲学教授スティーブン（ダーク・ボガード）は、オーストリアからの留学生アンナ（ジャクリーヌ・ササール）が、恋人がありながら、彼の同僚でテレビ評論などして名を売る教授チャーリー（スタンリー・ベイカー）と交際しているのを知って驚く。彼女に対し妄執を覚えたスティーブンは、恋人の事故死で沈んでいる彼女に取り入って情交を結ぶが……。

Apu is a jobless ex-student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding. Preserved by the Academy Film Archive in 1996.

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

どこか晩年のルノワールを思わせる様な老画家が、自然豊かなパリ郊外に家政婦と共に暮らしている。時は今世紀初頭。初秋の日曜日。いつもの様にパリから息子夫婦が三人の孫を連れてやって来る。広い庭で遊ぶ子供らの声を聞き、老人は満足げだ。そこへ不意に、自慢の娘イレーヌが立ち寄る。恋多き彼女のもたらす空気に息子夫婦はやや馴染めずに居たが……。美しい色彩の中、古き良き時代のある一日を牧歌的に描いた、カンヌ映画祭監督賞受賞作。

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

赤線地帯にある特殊飲食店「夢の里」の主人は、国会に上程されている売春禁止法案が可決されたら売春婦はみな投獄されると、女たちを慌てさせる。より江はなじみ客と結婚するが、夫婦生活が破綻し舞い戻ってきた。一人息子のために働くゆめ子だったが、その息子から縁を切られ発狂してしまった。やすみは自分に貢いでくれた客に殺されかけた。ラジオが売春禁止法案の否決を伝えると、「夢の里」は再び客の呼び込みを始めた。そしてそこには、店を辞めたやすみに代わり、下働きだったしず子の姿があった。

Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away...

A traveling performer arrives at a remote South American port town where the head of an air freight service must risk his pilots' lives to earn a major contract.

1999年、東南アジア某国で、PKO部隊として日本から派遣された陸自レイバー小隊が、戦闘車輌を持つゲリラ部隊と接触、本部からの発砲許可を得られないまま一方的に攻撃を受けて壊滅する。しかし一人の生存者がいた。破壊されたレイバーから脱出した彼がそこで見たのは、異教の神像が見下ろす古代遺跡であった。そして、彼は「彼岸の人」となった。 「方舟」の一件から3年後の2002年冬、かつての特車二課第2小隊の面々は、隊長の後藤と山崎を除いて新しい職場に異動し、それぞれの日々を送っていた。そんなある日、横浜ベイブリッジで爆破事件が起こり、それは自衛隊の戦闘機F-16Jらしき物体から放たれた一発のミサイルによるものであることがテレビによって報道される。そして、これがすべての始まりであった。

Gelsomina’s family works according to some special rules. First of all, Gelsomina, at twelve years of age, is head of the family and her three younger sisters must obey her: sleep when she tells them to and work under her watchful eye. But the world, the outside, mustn’t know anything about their rules, and must be kept away from them. They must learn to disguise themselves.

脚本家のポールは映画プロデューサーのプロコシュから、フリッツ・ラングが監督する大作映画「オデュッセイア」の脚本の手直しを依頼される。ポールと妻で女優のカミーユはプロコシュの自宅へ招かれるが、ポールが遅れて到着するとカミーユの態度はなぜか豹変しており、彼に対して軽蔑のまなざしを向ける。やがてポールとカミーユは映画のロケのため、カプリ島にあるプロコシュの別荘を訪れるが…。

When a store clerk organizes a contest to climb the outside of a tall building, circumstances force him to make the perilous climb himself.

死んでしまった人や昏睡状態になってしまった人など、もう話すこともできない愛する人を人工知能をつかって再現し、対話することができる画期的なサービス「ワンダーランド」。娘に自分の死を隠すためにワンダーランドを利用する母親、ある出来事で意識不明になってしまった恋人とワンダーランドをつかって話す女性、意識不明の状態から目を覚ましたものの、どこかぎこちなさを覚えて困惑する男性など、ワンダーランドを取り巻く人々の愛や希望、悲しみを優しく紡ぎだしていく。