The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.

William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.

They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.

A female centaur enters a clearing in the woods and picks flowers. She is met by a male centaur and the two romance each other. They then seek parental consent for their union. Surviving footage of a now lost film.

Alleged silent black-and-white short film shot at Apsley Gate, Hyde Park, London. It was claimed to be the first motion picture until pre-dating footage shot by Louis Le Prince was discovered. It was never publicly shown and is now considered a lost film with no known surviving prints or stills.

Chronophotographic short film, possibly species Protophormia terraenovae, c. 1904-1905.

A bright young medical student must solve the frightening mystery that plagues the children of a small Midwestern town.

In the sleepy suburbs of Miami, seemingly normal Egyptian immigrant Fuad Ramses runs a successful catering business. He also murders young women and plans to use their body parts to revive the goddess Ishtar. The insane Ramses hypnotizes a socialite in order to land a job catering a party for her debutante daughter, Suzette Fremont, and turns the event into an evening of gruesome deaths, bloody dismemberment and ritual sacrifice.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

There's nothing like a restful nap in a pleasant wooded valley. But when André awakens and is greeted by a pesky yellow-and-black striped insect with a nasty stinger, he ends up taking a quick (and painful) hike.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

スティッチは自分がカウアイ島の町をムチャクチャに壊してしまう悪夢にうなされていた。リロに優しく慰められ、ひと安心するスティッチだったが、ある日、様子がおかしくなり暴れはじめてしまうのだった。スティッチの生みの親ジャンパは「スティッチの分子エネルギーが下がるほど悪い子になってしまい、エネルギーが切れたとき、永遠に動かなくなってしまう」という。自分を抑えきれなくなったスティッチはついにリロを傷つけてしまい、傷心とともに行く当てのない一人旅に出て行くのだった。

Hapless family man Paul Matthews finds his life turned upside down when millions of strangers suddenly start seeing him in their dreams. But when his nighttime appearances take a nightmarish turn, Paul is forced to navigate his newfound stardom.

ささいなことでケンカをしてしまったベルと野獣。仲直りさせようとするみんなですが空回り。お互いを許し合う心について描いた大切な言葉。やきもちのせいで愛する人まで失いかけた恋人たちのお話、フィフィとルミエールの記念日。傷ついた小鳥は野獣が思いやりに目覚めて行く。

ある日の昼下がり。静かな川辺の野原で、アリスは姉と一緒に歴史の本を読んでいたが、すっかり退屈していた。その時、アリスはチョッキを着ている白うさぎが大きな懐中時計を持って走り去るのを見て、必死で白うさぎを追いかけた。彼女は白うさぎを追ううちに大きなトンネルまで入ったが、その先にあった大きな穴に落ちた。一番下まで落ちると、白うさぎが走っているのを見つけて、アリスは追いかけ、奇妙な空間の部屋にたどり着く。

In a world hit by a wave of mutations transforming humans into animals, François does everything he can to save his wife. As some of the creatures disappear into a nearby forest, he and their son Émile embark on a quest that will change their lives forever.

After Cacopoulos manages to save himself from being hung on a false charge, he robs Cat Stevens and Hutch Bessy of a lot of money and steals their horses. This results in a merry chase and Stevens and Bessy become unwilling allies in Cacopoulus' revenge against the people who deserted him and framed him to get their money back.

Aspiring interior designer Layla is dreading the Christmastime wedding of her cousin who’s marrying Layla’s ex-fiancé. Although Seth is the one responsible for introducing the bride and groom, she begrudgingly accepts his offer to be her date as she’s out of options. Seth gets carried away at the reception and announces they’re engaged, forcing a mortified Layla to keep up the pretense.

After Antoine was fired from his job, he became a stay-at-home dad taking care of his four children, while his wife Isabelle restarts her career as a lawyer. For Antoine, the family's upcoming ski vacation is a godsend: he can finally take a break from parenthood and enjoy a luxury ski resort! But just as they are about to step on the train, Isabelle is called back to work for an emergency and Antoine has to deal, on his own, with his four mischievous kids going wild on the slopes and in the fancy hotel, as the trip turns into total chaos…