Dragon Ball Z: The Real 4-D is a cinematic attraction at Universal Studios Japan, as part of "Universal Jump Summer". The attraction features a new installment in the Dragon Ball series, which primarily depicts a CG animation of Goku vs. Frieza, presented as a 4D attraction. The event was held from July 1 to September 4, alongside similar attractions based on One Piece and Death Note.

乗客たちが体験型の推理ゲームを楽しむイベント列車“殺人ミステリー急行”に乗り込んだイヴリンたち。ディナータイム、ゲーム開始を宣言した進行役がいきなり殺され、凝った演出かと思いきや、それは強盗犯による本物の殺人だった。車内はパニックに陥り、脱線した列車は川に転落してしまう。奇跡的に一命を取り留めたイヴリンたちだったが、日も落ちて岸も見えない川の中に取り残された彼女たちに、さらなる過酷な運命が……。

In a far-future time ruled by the supernatural, a young girl requests the help of a vampire hunter to kill the vampire who has bitten her and thus prevent her from becoming a vampire herself.

藤原拓海はとうふ屋を営む父の文太と二人暮らし。友人の樹と一緒にガソリンスタンドでアルバイトをしている普通の高校生だが、毎日、父のハチロク（AE86トレノ）で峠道の配達することで凄いドラテクを身につけていた。文太は伝説の走り屋で拓海は無意識に父の英才教育を受けていたのだ。ある日、チーム「妙義ナイトキッズ」のリーダー、中里毅がガソリンスタンドにやってきた。樹はバトルに挑むがあえなく惨敗。その晩、中里は峠で信じられないドラテクのハチロクに遭遇する。一方、拓海は、幼なじみのなつきから海へデートに誘われ、喜びを隠し切れないが、なつきは影でベンツに乗った男と援助交際していた。

In Italy, Checco Dal Monte manages a troupe of traveling performers with plenty of heart but minimal talent. At a small town engagement, he encounters the starry-eyed, gorgeous Lily Antonelli, and hires her as a dancer on the show. Vivacious Lily quickly sells out crowds and earns the resentment of Checco's mistress, Melina Amour, but the fledgling performer has far bigger ambitions and soon sets her sights on a higher-profile role.

Porto Alegre, 5 October 1984, front page of a newspaper: "Extreme left-wing activist holds up the home of an ex-consul of Paraguay, then commits suicide". The extreme left-wing activist was the director's father. The ex-consul was an ex-nazi whose past her father was investigating.

An unemployed Japanese man and his two sons wander the industrial flatlands of Depression-era Tokyo, until he chances upon an old friend and befriends a woman and her daughter, who are in a similar predicament.

A judge in an unnamed country interviews three actors, together and singly, provoking them while investigating a pornographic performance for which they may face a fine. Their relationships are complicated: Sebastian, volatile, a heavy drinker, in debt, guilty of killing his former partner, is having an affair with that man's widow. She is Thea, high strung, prone to fits, and seemingly fragile, currently married to Sebastian's new partner, Hans. Hans is the troupe leader, wealthy, self-contained, and growing tired. The judge plays on the trio's insecurities, but when they finally, in a private session with him, perform the masque called The Rite, they may have their revenge.

In Budapest, two rival gangs of young boys lay claim to a vacant lot. The hostilities escalate yet never quite boil over into actual violence.

Arun is a shy accountant in Bombay who dreams of romancing Prabh, but never gets past following her around without managing to actually speak up. While Arun twiddles his thumbs, suave Nagesh steps into the picture and turns on the heat, prompting Arun to take "love coaching" from "romance specialist" Julius Nagendranath to win Prabha back.

In pre-revolutionary China, two young girls, Chunhua and Yuehong Xing, rise through the ranks of Chinese opera, but with their artistic success comes a new series of personal and social challenges. After they're sold to a Shanghai opera and the revolution dawns, Yuehong radicalizes and devotes her career to politically progressive performances, while Chunhua flees to avoid turmoil. As the world changes around them, they fight to maintain their friendship.

Shirley Ross plays an innocent young girl convicted for complicity in a crime committed by her boy friend (Lloyd Nolan). The male crook is sentence to six months on a prison farm populated by both men and women (segregated, of course). Ross is also incarcerated, suffering the cruelties of the sadistic male and female guards (including J. Carroll Naish and future "Ma Kettle" Marjorie Main!)

A man attempts to remain hidden from view from the camera and other eyes.

It is a sweltering day in Buenos Aires, Miserere square and the railway station are packed. Almost unnoticed, a group of guys prostitute themselves for little money. Their thoughts emerge, deadening the oppressive hustle and bustle of the square and the station. Miserere reveals an invisible problem: the prostitution of needy men in the big Latin American cities.

While out grocery shopping, meek, middle-aged Samuel Smith and family pet Rover are run over by a speeding car. Fortunately for them, an ambulance shows up right away. Unfortunately for them, the ambulance attendant mistakenly treats Sam with dog plasma and Rover with human plasma. Both immediately recover - after which Sam starts erupting into bouts of dog-like behavior and Rover begins walking and talking like a human being, much to the consternation of the people around them, especially Sam's wife, Margaret.

Phillipe, the son of an ambassador in London, idolizes Baines, his father's butler, a kind of hero in the eyes of the child, whose perception changes when he accidentally discovers the secret that Baines keeps and witnesses the consequences that adults' lies can cause.

北イタリアの小都市を舞台に、無為な日々を送る5人の若者たちの青春。巨匠フェリーニが故郷の町をモデルに描き、その映画世界の原型ともいえる初期の名作。ベネチア映画祭銀獅子賞受賞。北イタリアのある町に生まれ育ち、生きる目的もなく自立もできずにいる5人の青年。妊娠させた娘と結婚しても女遊びをやめられないファウスト、姉から小遣いをせびり取るアルベルト、いちばん年下で内向的なモラルド、劇作家志望のレオポルド、そして歌の上手なリッカルド。日々なすすべもなく仲間と時を過ごすだけの生活に嫌気がさしたモラルドは、ある日、一人列車に乗って町から去って行く…。

第二次世界大戦後のイタリア、ローマ。 2年間職に就けなかったアントニオ・リッチは、職業安定所の紹介で役所のポスター貼りの仕事を得る。仕事に就くためには自転車が必要だと言われるが、生活の厳しいアントニオは自転車を質に入れていた。妻のマリアが家のベッドのシーツを質に入れ、その金で自転車を取り戻す。新しい職に浮かれるアントニオを見て、6歳になる息子のブルーノも心を躍らせる。 ブルーノを自転車に乗せ、意気揚々と出勤するアントニオ。しかし仕事の初日、ポスターを貼っている最中に自転車を盗まれてしまう。警察に届けるも「自分で探せ」と言われる始末。自転車がなければ職を失う。新しい自転車を買う金もない。アントニオは自力で自転車を探し始める。

A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.