The story is essentially the same as the popular Jane Cowl play, with Talmadge in the dual role of Kathleen and Moonyean. Kathleen, a young Irish woman, is in love with Kenneth Wayne but is prevented from marrying him by her guardian John Carteret. John is haunted by memories of his thwarted love for Kathleen's aunt, Moonyean.

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

After drinking all night, Monty and his friend try to get home, but it turns out to be not easy. The next day, Monty tries to win the heart of a theater actress.

Ana and Helen, two divorced women, were close friends as teenagers. Today, amidst the corona virus pandemic and in quarantine, they get in touch after 20 years via internet. Through video conference calls, memories, sensations and emotions reflourishes.

Kumar Agnihotri belongs to a wealthy family, consisting of his dad, Madan, and mom, Janki. He is in love with beautiful Mala Bajpai, and they hope to marry soon with the blessings of their respective parents. Kumar's other passion is boxing, which Janki loathes, and hopes that he will give this up soon. When the Agnihotris bring home a woman named Ganga, and introduce her to Kumar as Janki's childhood friend, Kumar finds out that Ganga is his biological mother, and his father, Ajay Kumar, was the National Champion in boxing, who was killed by three men for refusing to lose a fight. While Janki is afraid that she is going her son to Ganga, Kumar has decided to avenge his biological's father's death by any means, little realizing that he may face the same fate his father did years ago.

A portrayal of girlhood through the eyes of an average teenage girl.

A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

Rodrigo and his mother travel to the town where his older brother just died. In this calm place they will go through the first stages of their mourning. Rodrigo will start to peer on grown-ups grief and, imperceptibly, will begin to leave childhood behind. His mother will try to uncover the mysteries surrounding that death. A story suspended in time, floating between the countryside lost places.

Wincenty Poziomka tries to earn his living and falls in love.

A tormented woman believes a rare planetary alignment is actually a cosmic message from her distant interstellar home.

Raktha Sakshikal Zindabad is a 1998 Malayalam film directed by Venu Nagavalli. The film stars Mohanlal, Suresh Gopi, Suganya and Murali in lead roles.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Creeping death, For whom the bell tolls, Fuel, King nothing, Ride the lightning, The Unforgiven, The memory remains, Welcome home (sanitarium), Sad but true, Wherever I may roam, One, Master of puppets, Battery, Fade to black, Seek and destroy, Whiskey in the jar, Nothing else matters, Enter sandman

On a night like so many others, indistinguishable from the previous or the next, Carlos sees himself thrown out of his bedroom. Beyond his own door, a rat has taken over his belongings, without a courtesy call or warning. This is the second work by João Niza Ribeiro screened at Curtas.

Maria is rushed to the hospital and is saved by Dr. Faris who successfully extracts the bullet from her body. Maria is assigned to the Special Unit of the Royal Malaysian Police force. She falls in love with Dr. Faris. Her unit has been directed to smash a syndicate which is trafficking ecstasy pills and drugs in the city. Meanwhile, Mariana is visited by Remy, a colleague who is attracted to her. Roy, her ex-boyfriend reappears causing turmoil in her life and Mariana reverts to her old wild ways. The relationship between the two sisters, Maria and Mariana becomes strained again.

The story takes place in a new residential area in the outskirts of Tokyo. A family photograph adorns the living room of the Hashimoto family. It is a heartwarming shot of the three family members from when they first moved here, finally having bought their own home that they had wanted for so long. Wife Michiko hangs the laundry everyday. Husband Ken-ichi leaves for work without a word. Son Hiroaki has a part-time job, returns home early and disappears into his room. The Hashimoto Family no longer eats meal together at the dining table or spends time together in the living room. Michiko yearns for a different relationship with her family and is gradually overcome by loneliness. While feeling pressured from the trifling matters that occur within the residential community, Michiko tries to fill the emptiness that she hides in her heart.