After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.

Complications arise in a director's attempt to film a scene in Life, and Nothing more... (1992).

An animated short film based on the 1877 short story written by Fyodor Dostoyevsky. It chronicles the experiences of a man who decides that there is nothing to live for in the world, and is therefore determined to commit suicide. A chance encounter with a young girl changes his mind.

スペイン現代美術を代表する画家アントニオ・ロペスの創作過程を追ったドキュメンタリー・フィルム。アントニオ・ロペスは、二〇世紀後半の世界の美術界で注目される「マドリード・リアリズム」の中心的存在で、寡作で知られる画家。彼の長年のテーマである陽光に輝くマルメロの実を描くことを中心に、彼をめぐる世界の、様々な側面を描いていく。

Raw and intimate, this documentary captures the struggles of patients and frontline medical professionals battling the COVID-19 pandemic in Wuhan.

Set in the early 20th century, the film follows a game warden who arrives in Florida to enforce conservation laws. He soon finds himself pitted against Cottonmouth, the leader of a fierce group of bird poachers.

A London man who loses his memory when he's struck by a falling object develops a way to reconstruct his past.

It's Donald Trump's turn to step in to the celebrity hot seat for the latest installment of The Comedy Central Roast.

The Popular Front wins elections, the Spanish Civil War begins, and Hitler and Stalin are manipulating and spying. The brilliant exile, Fiodor Voronin, a general at 20, is the deputy at the White Russian Military Union, probably slated to replace the aging Général Dobrinsky soon. Fiodor's Greek wife, Arsinoé, paints and stays away from politics, befriending Communist neighbors. Her health declines; the attentive Fiodor arranges care and, against the backdrop of Stalin's Great Purge, considers his options. He plays a chess game in which love of country, love of Arsinoé, ideology, petty jealousies, and the machinations of power roil in matters of life and death.

In 2005, the first national manifestation against homophobia, called STOP Homophobia, was held in Viseu. The sad events that preceded and impelled the organization of the manifestation are kept in memory. Those were times of reaction to extreme homophobic violence. In 2018, people with different life histories, sexual orientations, sexual characteristics, identities and gender expressions were united by freedom in love and self-determination of gender. On October 7, 2018, the 1st March for LGBTI + Rights was held in Viseu, and more than 20 organizations from Viseu, Vila Real, Bragança, Coimbra, Porto and Lisbon participated. We marched for the present and the future, joining the will of those who are proactive in defending basic human rights in an attempt to eliminate violence and exclusion. More than a thousand people marched in Viseu. The Municipal Council of Viseu ignored the March as they have not participated in it and refused to participate in this film.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

The second short film Melvin Van Peebles made in San Francisco before decamping for Europe is a striking portrait of a group of day labourers competing to secure a job.

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.

Nine-year old Eunhee anxiously prepares for her recorder exam as she struggles to find a place within her own family.

A man's life, thoughts, feelings and his very own darkness... Adapted from Dostoevsky's novel "Notes from Underground", Demirkubuz follows Muharrem as he gets himself invited to a party where he is not welcome, just to find himself disgusted.

革命運動のさなか、少年時代のマフマルバフ監督（モフセン・マフマルバフ）に刺された元警官（ミルハディ・タイエビ）が監督のところへ訪ねてきた。監督はあの日の出来事の映画化を決意。難航するオーディションの末、どうにか配役が落ちついた。監督、元警官それぞれが若き日の出来事を少年達にに語って聞かせ、演技指導をする。元警官は、毎日彼に時間を尋ねてくるうちに芽生えた少女への片思いを警官役の少年（アリ・バクシ）に告白。この映画を通して、刺されて以降会うことのなかった少女と再会するのが元警官の本当の目的だったのだ。

A young East German woman leaves her husband and business partner and relocates to a West German city to start anew as an accountant, but he soon catches up with her.

Shortly after high school student Jeremy Capello goes on a hot date, he finds he can't stand garlic or see his reflection in mirrors.

A disciplined and sexually driven man forces his family to stay isolated in their home in order to protect them from the “evil nature” of human beings.