In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

ルポライターの母田耕一は、磯部大蔵大臣の私設秘書である秦一毅の身辺を探っていた。だがその矢先、秦の家で働いていたお手伝いが殺されてしまう。手型占いをしているという秦の内妻の青蛾を追う母田は、後輩の須藤に連れて行かれたバーのママゆき子と知り合うが、そのあと何者かに殺害されてしまった。須藤は母田の仕事を引き継ぎ調査を進めるが、青蛾も変わり果てた姿で発見される。やがて須藤は、ゆき子から驚くべき過去を知らされるのだった。

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Katelyn discovers she is a character in a film after fighting back against 'The Narrator' that controls her life.

Five high school graduates are followed though their life altering decisions and their consequences.

In order to bust a money laundering ring, the cops must work undercover at a hostess bar. Zaniness ensues as we witness policewomen masquerading as hostesses, detectives masquerading as waiters, and other similarly awkward role-reversals.

Werner Krauss, who had played the deranged Dr. Caligari six years earlier, stars as a scientist who is tormented by an irrational fear of knives and the irresistible compulsion to murder his wife. Driven to the brink of madness by fantastic nightmares (designed by Ernö Metzner and photographed by Guido Seeber in a brilliant mix of expressionism and surrealism), he encounters a psychoanalyst who offers to treat the perplexing malady.

A group of Romanian soldiers helped by peasants, prevents the transport of goods looted by German soldiers from the USSR during the Second World War.

An Italian businessman, Mario comes to the country and opens his shoe company in a small village. A middle-aged female worker falls in love with Mario, but she is not the only one whose life will be changed.

Young Peer Gynt returns home once again after unsuccessfully looking for work. His mother already goes to meet him and he describes his alleged adventures to her. In his imagination, he sees himself as a king and escapes reality with his stories. His mother would have liked him to marry Ingrid, with whose dowry they would be well provided for, but Ingrid is promised to Mats and will marry him the very next day. While Peer once again escapes into his world of thoughts while lying in the grass, he is laughed at by the others of the village. They warn him to come to Ingrid's wedding feast, where the whole village is celebrating. But he does not care and there he meets Solvejg, whom he likes very much, but she initially turns away from him. So he kidnaps the bride Ingrid, incurring the wrath of the groom and the rest of the village youth.

Join an expanded cast of Jellicles in this unauthorized sequel as they explore the inevitable and unknowable mysteries of life, death, and love through the transformative power of art. This one-of-a-kind, mixed media romp is sure to take you by surprise, wondering what could possibly come next...

メイクーモンの暴走や、起きてしまったリブートに対して苦悩する芽心を残し、太一たちはデジタルワールドへ向かう。そこで再会したパートナーデジモンたちは過去の記憶を失っていたが、太一たち「選ばれし子どもたち」は、再び絆を築こうとデジモンたちと接していく。そんなある時、突然姿を現したメイクーモンが芽心を探していることを知った太一たちは、メイクーモンを救うためデジタルワールドを旅する決意を固めるが……

A short thriller about three younger friends who enjoy checking out 'haunted' places around town, until they go to a barn in Cedarville and something unexpected happens.

A thoughtful treatment of some of the problems we (mankind) have been having in dealing with our fellow species, animal and vegetable. Actually an undercover "structural" film, this one seems at first to be some sort of berserk travelogue. I spent years going to travelogues as a child, and still have a great fondness for visiting natural history museums in strange cities.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.