劇場版はテレビアニメ版のスタッフとキャストによるものであるが、概ね原作に忠実だったテレビアニメに対して、オリジナル要素を大幅に織り交ぜて再構成されている。例として、 達也と孝太郎が和也健在の時点で親しい間柄である。（「1」。原作では和也没後、2年時に孝太郎が達也と呼ぶようになるところから。） 新田が1年の時点で須見工レギュラーになっている。（「1」。原作では2年時より。） 野球部マネージャー・西尾佐知子の名前が児島悠子に代わり教師（野球部部長）役として登場。（「1」、「2」。「2」で退職し「3」には登場しない） 新田が達也に対し、逆転サヨナラホームランを放っている。（「2」。原作では2年次に勢南戦で明青は敗退、新田がいる須見工と対決していない。） 新田の妹・新田由加が登場しない。（「3」） 南が新体操を辞めて野球部のマネージャーに復帰した。（「3」。原作では結局新体操を続け、野球部には関われなかった。） 明青-須見工の決勝戦の得点順が、須見工が先制し、終盤になって明青が逆転する展開となっている。（「3」。原作では明青が先制し、その後同点となって延長10回に達也のホームスチールで勝ち越す） 製作は、東宝、フジテレビ、グループ・タック、旭通信社など。東宝系で公開。 第1作である『背番号のないエース』は、2年後に公開された劇場アニメ『きまぐれオレンジ☆ロード あの日にかえりたい』（望月智充監督）において、作中で登場人物が鑑賞する映画作品として、一部が二次使用されている。

A wig-maker from Istanbul, who suffers from cancer, becomes obsessed with a woman who enters his shop one day.

When two tough guys leave a bar to fight, their search for the right spot becomes an adventure.

RayShawn "Shawn" Sanders is released from prison after serving his bid for his crimes; however, after being hired by Jonathan McAllister, Shawn realizes that life behind bars may have been a lot easier than what he has to face as the assistant to one of the biggest media moguls in the country. After battling for his life in prison, Shawn is now in a war against greed, ambition, corruption, deceit, and lust - and that could ultimately cost him everything.

The Inspector goes after Spider Pierre an expert pickpocket.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

Short about the disappearance of the body of the political Argentinean writer Rodolfo Walsh after he was shot in an ambush by a special military group in Argentinia on March 25 1977.

A small town's religious beliefs have pushed them back to the dark ages. Halloween has morphed into a modern-day witch hunt, victims sold like fireworks for the public to dispose of. Prepare for Exodus.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

経済学者のオ・ヨンミン（イ・ボムス）は、過去の行動によって韓国に戻ることが出来ず、亡命先の西ドイツでも評価されない日々に嘆いていた。そんな中、ある人物から北朝鮮で大学教授として働かないかと勧誘を受ける。自分の経済論が日の目を見れば今よりも良い暮らしができるかもと、妻ウンスク（パク・チュミ）の反対を押し切り北朝鮮へ向かう。しかしそこで待っていたのは、大学教授としての日々ではなく工作員としての苛酷な訓練だった。そしてついに工作員としての指令を受け、家族と共に再び西ドイツへ向かう事になる。空港で見張りを振り切り逃亡を試みるが、北朝鮮の工作員に妻と娘を人質に取られてしまう。家族を助けるために必死に奔走するが、各国の情報局は彼を泳がせ北朝鮮のスパイを捕まえるために利用する。誰も信じられない状況で、彼は家族を再び取り戻せるのか―

It is the 30th millennium. Humanity is caught in the midst of a fratricidal war between those of the meta-human Space Marines who are loyal to the Emperor, and those who no longer are. The once noble warriors of the XII and XVII legions are cutting a bloody path throughout the realm of Ultramar, committing boundless atrocities out of sheer spite and hatred for their cousins belonging to the XIII legion. In this episode we gain a glimpse of the aftermath of the battle on planet Sathus, and the living nightmare taking place on a starship manned by traitorous legionaries, as they bide their time on the approach to planet Calth.

A comedy about breaking up enough times to finally move on. This funny and moving short asks how far will someone go to mend a broken heart as it follows a young woman and her unusual way of dealing with a brutal break-up.

Wealthy, world-wide business-man Shyam Prasad Bharadwaj would like to get his only daughter, Rittu marry to his business-partner Dev Kumar Malhotra. But what Shyam is unaware of is Dev is not what he claims to be but merely a con-man who is in debt with local gangsters and to worsen matters he plans to do away with the entire Bharadwaj family so that he can embezzle their property and estate.

In or Out is about the inexorable flow, constant flux and endless process that life is.The film looks at the incessant process of change that life is.It unfolds through four parts that present different theme from different perspectives and structures of feeling.