Agnes Varda's documentary of the celebrations arising from the 25th anniversary of her husband Jacques Demy's film The Young Girls of Rochefort.

The director of a dairy cooperative in La Manche dies in a vat of milk. In line to succeed him are his four deputy managers, all with very different temperaments: the aristocratic Dufaux, the seductive Courtin, the pious Lainé and the wait-and-see Tousseur. Each of them pulls out all the stops to win a major order from Morloch. Once this is achieved, election to the post of director by the cooperators is all but assured.

"Paris, Paris, you know, I would eat it..." wrote André Sauvage. An artist close to the avant-gardes, André Sauvage composed the first great filmed portrait of Paris. Its ambitious symphony of a big city marries, on the music composed by Jeff Mills, the changing rhythm of the Belle Époque. Contemporary of the dizzying explorations of Dziga Vertov and Walter Ruttmann, Sauvage is less fascinated by speed than by the repertoire of urban mobility, attentive to the neighborhoods he crosses, always curious about their furtive inhabitants. He draws a portrait of Paris in five studies: Paris-Port, North-South, the islands of Paris, the Little Belt and from the Saint-Jacques tower to the Sainte-Geneviève mountain.

蒲田に妻と住む杉山正二は、丸ノ内への通勤途中で知り合ったサラリーマンたちと仲良くなり、退社後に遊びに行くのが日課となっていた。妻は退屈な毎日から逃れるように、おでん屋を営む母の実家へ帰ったりしている。通勤仲間と出かけた江ノ島で、杉山は金子千代と接近。千代の誘惑に耐えきれず、関係を持ってしまう。二人の関係に気づいた杉山の妻は家出して、旧友のアパートに転がり込んだ。同僚の死をきっかけに、杉山は自分の生き方を振り返り、千代と別れようと考え始める。ちょうどその頃、会社で地方工場への転勤話が持ち上がった。小津安二郎が野田高梧とともに書いたシナリオを監督し映画化。不倫に揺れる昭和30年代のサラリーマン夫婦を描く。

Based on a play by Willis Hall. A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted "non-hero" Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colours of each man comes to the surface

結婚にあまり興味のない娘と、そんな娘に早く結婚してほしいと気を揉む家族を中心にさりげない日常をユーモアを織り交ぜ淡々と細やかに描く感動作。敗戦後わずか6年の作品とは思えないモダンな息づかいには驚かずにはいられない。北鎌倉に住む間宮家では適齢期を過ぎた娘紀子の結婚が何より気がかり。当の紀子は大手の会社で秘書として働き、いまだのんきに独身生活を楽しんでいる風だった。やがて、そんな紀子に縁談話が立て続けに舞い込むのだったが……。 　巨匠・小津安二郎監督を代表する傑作の1本。

A samurai purchases a new sword only to find it is already dull. When he returns to the dull looking merchant to complain, something quite unexpected happens.

金沢の中学教師である堀川周平は、妻を失い、小学生の良平と二人で暮らしていた。しかし修学旅行先で教え子を溺死させてしまい、責任を感じた周平は学校を退職。出身地の信州に帰るが、中学生になった良平を寄宿舎に預け、一人で東京の工場に勤めることにする。帝大を卒業し教師となった良平は、久々に父親と温泉宿で再会し、教師を辞めて一緒に暮らしたいと告げた。しかし周平は「今の仕事を投げ出してはいけない」と息子を諭すのだった。

奈良の荒れ寺に集まる街娼たち。年老いたお春は羅漢堂に入り、過去に出会った男の面影を思い浮かべていた。御所勤めをしていた13歳のお春は、公卿の勝之介に宿に連れ込まれたところを見つかり、両親ともども洛外へ追放となってしまった。その後、松平家に取り立てられ嗣子をもうけたものの、側近の裏切りに遭い実家へ帰されてしまう。島原の郭に売られたお春は、気に入られた客の住み込み女中となるが、その妻に嫉妬され追い出されてしまった。さらに結婚相手が急死し、世話になった男の盗みが発覚して捕らえられるなど、流転の人生を歩むのだった。

In the Sengoku period, a woman and her daughter are raped and murdered by soldiers during a time of civil war. Afterwards, a series of samurai returning from the war through that area are found mysteriously dead with their throats torn out. The governor calls in a wild and fierce young hero to quell what is evidently an Onryō ghost. He encounters the two beautiful women in an eerie, beautiful scene. After spiritual purification, he meets the demon in a thrilling fight.

旅回りの駒十郎一座の乗った船が港に着いた。駒十郎は一膳飯屋にお芳を訪ね、その昔二人がもうけた清も今では郵便局に勤めていると知って安心する。清には駒十郎はお芳の兄ということになっていた。駒十郎の連れ合いのすみ子は、清のことを不審に思い加代に清を誘惑してくれるよう頼む。加代と清は恋仲になり、それを知った駒十郎は加代とすみ子を激しく叱りつける。客入りの悪くなった一座は解散することになり、駒十郎と清は加代を巡って対立する。お芳は清に駒十郎が実の父親だと打ち明けるが、清は許さず、駒十郎は気が抜けたように立ち去る。駅に行くとすみ子が待っていて、二人は車中の人となるのだった。

郊外の住宅地、長屋のように複数の家族が隣り合って暮らしている。林家の息子実（設楽幸嗣）と勇（島津雅彦）はテレビがほしいと両親にねだるが、聞き入れてもらえない。子供たちは、要求を聞き入れてもらえるまで口を利かないというストライキをして、最終的に買ってもらうのだった。　

A novelist attends the trial of a woman accused of killing her 15-month-old daughter by abandoning her to the rising tide on a beach in northern France. But as the trial continues, her own family history, doubts, and fears about motherhood are steadily dislodged as the life story of the accused is gradually revealed.

After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.

戦国の世、貧しい陶工・源十郎が若狭姫という女性と知り合い、生活をともにするようになる。だが美しい若狭姫の正体は死霊であった。それを知った源十郎は若狭姫を捨てて故郷に逃げるが、彼女の怨念は執拗に追いすがる……。「雨月物語」をベースに、川口松太郎らが脚色。

Antonio, a former shipyard worker, leads a mild and peaceful life: he plays bowls with friends, takes care of his elderly mother, has an ex-wife with whom he is on excellent terms and Emilia, his only and beloved daughter When Emilia announces to him one day that she has decided to get married, Antonio is filled with joy, he can finally fulfill his dream by giving her the reception they have always dreamed of together being able to count on the savings of a lifetime.However, the bank of which he has always been a client seems to be hiding something, the employees are suddenly elusive and the director inexplicably changes constantly.The task of paying for his daughter's wedding will prove increasingly difficult and Antonio will discover, against his will, that those who keep our treasures don't always keep our dreams as well.

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

大富豪のわがまま娘エリーは、結婚を反対されて家出。マイアミからNYへ向かうバスで出会った失業中の新聞記者ピーターは、スクープ狙いで彼女に同行するが……。古き良きラヴ・コメディの傑作。