伝説の地ウェスタロスの支配権をめぐって、7つの貴族が争う。 家々の摩擦が全面戦争へと発展。 最北端で古代の悪が目覚める間中。 戦争のさなか、無視されてきた不適合者の軍事秩序であるナイツ ウォッチは、人間の領域とその先の氷のような恐怖の間に立ちはだかるすべてです。

茂野大吾は、いまも現役のプロ野球選手を父にもつ小学生。かつてメジャーリーグでも活躍した父親・吾郎に憧れて、少年野球チーム「三船ドルフィンズ」で野球を始める。しかし、二世ならではのプレッシャーのなか、思うように上達できず、1年足らずで野球をやめ、無気力な生活を送っていた。迎えた小学6年生の春、大吾の目の前に、アメリカから帰国したという転校生が現れる。転校生の名は、佐藤光。なんと光の父は、吾郎の盟友で元メジャーリーガーの佐藤寿也だった…。そして、少年たちの運命が動き出す！

Shaun, Harvey, Gadget, Trev and Kelly hit up the nightlife of raves and ecstasy. Woody and Lol are happy, living together with their kids and Combo is still in prison. But things slowly change. This is the year 1990 and This is England.

Ruby Wax’s interviews in the 90s were some of the most talked-about shows on TV. These sensational series have never been repeated, and Ruby has never watched them back - until now.

TV Colosso was a Brazilian children's television series produced by Rede Globo, that began on April 19, 1993, and finished on January 3, 1997. The show utilized puppets, body puppets, remote-controlled animatronics and bluescreen puppets. It stars a group of working dogs in a TV station that struggle to put her TV shows on air. The show presented "Jornal Colossal"; "Clip-Cão"; "Pedigree", a parody of Rede Globo's soap operas; "As Aventuras do Super-Cão"; "Olimpíadas de Cachorro"; "Acredite Se Puder" satirizing the Ripley's Believe It or Not! ; "ColosShow"; "Asfalto Quente"; "Aprendendo Prá Cachorro"; "CapaShow"; and others. The show was created by Luiz Ferré, a graphic artist, who also created its characters; and directed by J. B. de Oliveira, famous for Rede Globo's hits No Limite and Big Brother Brasil. The puppets were created by Criadores e Criaturas, Ltda. and made by Roberto Dornelles from Grupo 100 Modos de Teatro de Bonecos. It was a big hit on Brazil and worldwide, but was cancelled due to intense production costs. In 2009, the show's return in April of the same year was discussed by the producer, but not happened. Also in that year, it was reported that an DVD box set featuring the show's most important episodes and a Broadway-inspired musical are in works.

A separated couple live together for their child's sake in this satirical dramedy about what it means to be a good parent and spouse in today's world.

A hotel's night manager is the only weapon against a dangerous arms dealer. Will he be able to stop him?

is a Brazilian television series for children, produced by Rede Bandeirantes in partnership with mixer and co-producer Nickelodeon Brazil.

The lure of Thailand's Ladyboys is so strong that many men will leave behind everything and everyone they know to be with them. This fascinating series follows two expats, Scott and David, and their ladyboy loves. Scott moves to Thailand to join his fiancé, Paeng, after a three year long-distance relationship. David introduces his ladyboy girlfriend, Annie, to his son and insists he is straight.

「ベイロンシティ」――どこの国にも属さない、太平洋に浮かぶメガフロート型の都市。新エネルギー資源「オルゴニウム」を採掘し、世界でもっとも注目されるこの都市では、「Ｄ災害」と呼ばれる、「悪魔」の引き起こす特殊な事件が多発していた。一部の人間にのみその存在を知られるＤ災害。対処を行うのは、「ＰＭＣ（民間軍事会社）」。ベイロンシティで暮らす青年・シュウはそのひとつを運営しているが、会社の規模は零細。おまけに仕事も選ぶので、資金繰りは常に苦しい。そんな彼の生活を公私に渡り献身的に支えているのは、ベイロンシティの学校に通う美少女高校生・キサラ。そしてもうひとり、シュウがかつて所属していた大手ＰＭＣの社員で、元恋人であるアヤノも、何かと彼を気にかける。キサラにとってはおもしろくない。キサラのシュウに対する、強い執着。その根幹にあるのは二人の「契約」。彼女の正体は悪魔なのだ。キサラはシュウの生活を支え、契約に基づき悪魔退治にも協力する。その代償は甘く危険な「キス」。愛と契約、二人の危うい絆。その運命は、どこへ向かう――。

15-year-old Zakaria will face the toughest decisions of his life as he deals with juvenile detention, a new foster family and the temptations of organised crime. After a failed rescue attempt by Muis, the problems of 15-year-old Komtgoed are growing rapidly. A fight in the street escalates and he ends up in the clutches of the judicial system. Juvenile detention and a foster family follow. As his problems increase, there seems to be only one way to make something of his life.

Mixels are mischievous creatures who live in tribes of three. They have the ability to combine with other Mixels, either within a single tribe or cross-combining to gain another tribe's abilities. All that is needed to combine are willing Mixels and a magical square known as a cubit. The colorful creatures have to look out for Nixels, who consider themselves superior and like to destroy Mixel combinations. Major Nixel, the group's leader, throws and kicks his underlings to steal cubits.

Foreigners out! Schlingensiefs Container, alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was conceptually designed by Christoph Schlingensief and directed by Paul Poet, and was styled as a mockery of popular TV program format Big Brother. It was critically aimed both at certain forms of television entertainment and at a latent xenophobia still thriving in the whole world.