Blade, Tunneler, and Pinhead go toe-to-toe with a team of terrifying, gremlin-like creatures known as "Totems" that are sent by the Egyptian demon Sutekh to recapture the magic stolen by Toulon.

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.

Don Camillo (now bishop) and Peppone (now senator) return to the town of Brescello and rekindle their friendly rivalry.

Dorota Geller, a married woman, faces a dilemma involving her sick husband's prognosis. Her husband's doctor, who believes in God, sweared about it in vain.

In the midst of a civil war, former violinists Jan and Eva Rosenberg, who have a tempestuous marriage, run a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.

Julio Blanco is the proprietor of Básculas Blanco, a Spanish company producing industrial scales in a provincial Spanish town, which awaits the imminent visit from a committee that will decide if they merit a local Business Excellence award: everything has to be perfect when the time comes. Working against the clock, Blanco pulls out all the stops to address and resolve issues with his employees, crossing every imaginable line in the process.

警官として生きること選んだラウは、警察内に残る潜入マフィアたちを始末してきた。だが、大物密輸商人シェンとエリート警官ヨンがラウの前に立ちはだかる。

孤高の映画詩人ブレッソンの表現が精神の極みへと向って行く姿勢は、このごく初期の作品にも端的に見られる。それは悩み深き若い司祭を主人公にしているという表層からでなく、その懊悩を突き放すように客体化する、怜悧なまでの映像の力によって痛感させられるのだ。田舎司祭を取り巻く人々の聖と俗に揺れる姿が、彼の信仰にどう関わり、彼が自らどのような答えを出して行くかが、正に日記を綴る描写を挿し挟みながらスケッチされて行くが、彼は次第に懐疑的にならざるをえなくなり、健康をも害してしまう。ブレッソンのどの映画を見てもそうだが、描写の余りの潔癖さに、他のイメージに置き換えながら（詰まり自分流の翻訳をしつつ）見たくなるほど、純度の高い映画だ。 ＜allcinema＞

A psychotic small-time criminal realizes that the everyday robberies, rapes and murders he commits aren't profitable enough, so he figures to hit the big time by kidnapping the daughter of a rich man.

David, a naive graduate student, has volunteered to work as a 'buddy' for people dying of AIDS. Assigned to the intensely political Robert, a lifelong activist whose friends and family have abandoned him following his diagnosis, the two men, each with notably different world views, soon discover common bonds, as David's inner activist awakens and Robert's need for emotional release is fulfilled.

Years have passed since Frosty left for the North Pole, but his promise is kept when he hears news of the first snowfall of the season, and decides to return.

Over the Limit (2010) was a PPV presented by Axe Hair, which took place on May 23, 2010 at the Joe Louis Arena in Detroit, Michigan. It was the first event promoted under the Over the Limit name. In the main event from the Raw brand, John Cena faced Batista for the WWE Championship, while The Big Show versus World Heavyweight Champion Jack Swagger was the main event from the SmackDown brand. Matches on the undercard included Randy Orton against Edge, CM Punk facing Rey Mysterio, and Drew McIntyre defending the WWE Intercontinental Championship against Kofi Kingston. Other championships defended at the event were the WWE Divas Championship and the Unified WWE Tag Team Championship. The event drew 197,000 pay-per-view buys, and was attended live by 11,000 people. Five wrestlers sustained legitimate injuries during the course of the show.

A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

The life of the revered 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova's dramatic story by using both his poems and largely still camerawork, creating a work hailed as revolutionary by Mikhail Vartanov.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where do babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

タルコフスキーとコンチャロフスキーという、旧ソ連の枠を脱して活躍することになる二大俊英が協力して脚本を執筆し、中世ロシア史上最高のイコン画家ルブリョフを主人公に、当時の社会と民衆の関わりを巨視的に捉えた歴史大作で、全体で二部構成。冒頭の、巨大な気球での飛行を試みる男たちの描写が象徴する閉鎖的な時代に、信仰と芸術の力によって風穴を開けたのがルブリョフと言える。彼は同窓の僧侶キリールに陥れられかけ、逆に大公の覚えめでたく宮廷画家となるが、連日、寺院の白い壁に向かい一筆も動かさない。神の愛を描きたいと願う彼の眼に時代は暗く映りすぎた。そして、公弟にそそのかされたタタール人が城を襲う（ここからが第二部）。ルブリョフは白痴の少女を救おうとして敵兵を討ち、後悔から筆を絶ち、修道院に戻るが、誰とも口をきかない。今や落魄の身のキリールとの再会……。ロシアはなお暗黒の中にあったが、大公は巨大な鐘の鋳造で威信回復を図る。今はなき名人の息子ボリースカの指導によって作業は開始され、ルブリョフはそれを興味深く見守る。秘訣を父に教わったという少年だが、実は鐘を作りたいばかりについた出まかせで、ようやく大鐘完成の暁に彼は真実を泣きながらルブリョフに明かす。彼は少年を賞賛し、自らも励まして言った。“君と一緒にやって行こう”……。１５年にわたる無言の行の末、最初に出た言葉がそれであった。彼は再び絵筆をとり、その後、それまでの白黒とうって変わった鮮やかなカラーで写し出される偉大な作品群を残したのである。観ることが主人公の忍従に重なるような重厚な作品だが、それ故にラストの解放感は筆舌に尽くし難い。丸裸の自己と神--という一対一の構図を発見するまでの確執を描くのは、後のタルコフスキー作品にも通じるテーマだ。

A young bank teller, literally allergic to paper money, becomes the worst nightmare of his best customer, a wealthy butcher who manages his business unscrupulously.

Problems arise for Antonio Magnano when he is unable to consummate his marriage to the beautiful Barbara Puglisi and his virility is called into question. Despite the fact that he loves his beautiful wife and they have otherwise been happily married for a year, his problem becomes a source of contention for all concerned.

On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.